Book 321: The Coming Plague

 

"Overall, Swine Flu and Legionnaires' Disease boiled down to the same set of troubling perceptions for the American public, and, to a lesser extent, the Canadian, Mexican, Australian, New Zealand, and European publics: something new and very scary was coming; nobody was sure what it was, but the experts were certain it was dangerous; the federal government seemed quite distressed about the matters, but the experts and authorities didn't seem to agree as to what, if anything, should be done to protect the public; and it was all costing taxpayers a pretty penny. In both cases, public apprehension would eventually yield to impatience and allegations of incompetence, even scandal."

Dates read: June 10-21, 2019

Rating: 7/10

I just want to kick off this review by noting that I read this book well before "covid" was a string of letters I'd ever think to put together. I considered going back and re-writing this based on what we know now, but I thought it was more genuine to preserve my reaction to the book as of the time I read it. Anyways! Of all the times I've ever been sick, I don't know that anything has been as unpleasant as the times I've had the simple flu. The soaring fevers, the aches, the blocked up sinuses that make sleep so difficult...it's several days of feeling just utterly wretched, followed by several more where you just feel weak like a kitten. But of course, I've never been really sick. I've had the odd bout with pneumonia, which I also do not recommend, but generally I've been in good health. I do appreciate living in the world of antibiotics.

Once upon a time, a simple strep throat or upper respiratory infection could literally kill you. And it wasn't even that long ago, really! Penicillin was discovered less than 100 years ago. What it might be like to return to a world in which there were not effective antibiotics is one of the many topics covered in Laurie Garrett's The Coming Plague. In this large volume, Garrett investigates how the world continues to be vulnerable to infection, the consequences we might face for the widespread overuse of antibiotics in the modern world, and the way in which our own actions continue to bring us into contact with new agents of disease. She takes a broad look at trends in epidemiology: the emergence of Ebola, the discovery of Legionnaire's Disease, toxic shock syndrome, and of course, the spread of AIDS. And she doesn't shy away from an examination of the underlying systems that help perpetuate the spread of infection, particularly among the poor.

I found the most compelling portion of the book to be its examination of the AIDS crisis. I came of age in a world where AIDS was just a fact, and this is the first time I really got a sense of the fear that the beginning of the epidemic created. Hemophiliacs and gay men just...dying, in large and inexplicable numbers. The way that no one knew what was happening, or how this new disease spread, and (heartbreaking) the difficulty of getting government systems, controlled by conservative Republicans, to care about an illness that was affecting a group of people that they were just not interested in helping. There's an urgency there which really comes across strongly and made it hard to put down.

Garrett is a journalist by trade, and it shows in the writing of the book. The Coming Plague is strongest when she's focusing less on the recitation of facts (like she does when she talks about the process through which some microbes become antibiotic resistant, which feels like struggling through a science class) than on telling a story about people. There are some dynamic personalities, like Dr. Joe McCormick, that show up again and again in the fight against emerging infections, and this work shines when she lets them and the patients they treat take center stage. For the most part, she does keep the focus on people and the systems in which they operate in a way that keeps the book moving along, but it does occasionally bog down when she tries to get too heavily scientific, and in a book this long, it's a tricky bog to escape from.

I found myself wondering as I was reading this book who exactly Garrett had in mind as the target audience. It's got over 600 pages of text before endnotes, and the print on those pages is not large. It seems too long, and too detailed, to get wide traction in the general population of readers. But it's not scholarly or academic in nature, either. I'm a reader who is prepared to do some intellectual work, especially when reading nonfiction, and by the time I had only 150 pages left I was ready to be done even though the material I was reading was just as good as what had come before it. If she'd cut out some of the more science-oriented material, I think it would have kept the book moving better and more accessible to readers. As is, this is good, particularly if you have any interest in epidemiology, but feel free to skim through the more dense portions if they're not catching your interest. 

One year ago, I was reading: The Secret Life of Bees

Two years ago, I was reading: Whores of the Devil

Three years ago, I was reading: The Mind's Eye

Four years ago, I was reading: Thank You For Smoking

Five years ago, I was reading: Orange is the New Black

Six years ago, I was reading: Creative Mythology

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Book 321: The Coming Plague

Book 313: First

 

"She had an intuitive, almost uncanny sense of just how far to go—in almost any realm of human endeavor. Her deftness was useful in navigating the politics of the Junior League, but it was obvious to everyone, including the Junior Leaguers, that larger stages beckoned. She did not appear to chafe at the limited opportunities available to a young Phoenix society matron in 1965; rather, she made the most of them. But her ambition was palpable, if not articulated or yet fully formed."

Dates read: April 30- May 7, 2019

Rating: 7/10

When I was a little girl, my mom got me a set of encyclopedias for kids. I was (and am) a big weirdo, so I read those things cover to cover, and that's the first place I remember reading about Sandra Day O'Connor. I was fascinated with the story of the little ranch girl who grew up to be the first female Supreme Court Justice. I decided that I wanted to be one of those, and got all the way to being a lawyer and actually practicing before I figured out that maybe that might not be my destiny. But even after I left the legal profession, O'Connor's dignity and pragmatism meant that she remained one of my role models.

When I took Constitutional Law in law school, I found myself both often agreeing with but then frustrated by Justice O'Connor's jurisprudence. I felt that she usually reached a correct (or at least defensible) result, but the balancing tests she created often could be argued to support a decision that went either way. The law loves a bright line, but Justice O'Connor loved a compromise. The life that led her to be that kind of thinker is detailed in Evan Thomas's First, for which he was granted access to many family sources, as well as the expected interviews of friends and colleagues. What emerges is a portrait of a woman whose early years gave her a toughness, whose intelligence was innate and considerable, who had her ability to know when to charm and when to push honed by the political arena, and who never let go of her conviction that an attractive middle ground could be found on almost every issue.

Most people who are fans enough of O'Connor to pick up a book like this know at least the rough outlines of her life: childhood on the Lazy B ranch in Arizona, excellence at both Stanford undergraduate studies and law school being unrewarded with job offers suiting her skills after graduation, marriage to dynamic fellow attorney John O'Connor, motherhood, service in the Arizona Legislature, then moving up the judicial ladder to the Supreme Court, where she became the first female Supreme Court Justice. After decades on the bench, she left to spend more time with her husband, but his dementia was too far advanced to give them much time together before he needed more intense care than she was able to give. She championed the cause of civic engagement in her post-Court life until announcing her own Alzheimer's diagnosis and taking a step back to live as a truly private citizen for the first time since she was a young woman.

I wanted this book to be more than it was, and perhaps my disappointment is my own fault for having expectations that it was never written to match. I was hoping for more psychological insight, more historical context...less a recitation of life details than a work that sought to explain her as a person and as a figure in the public imagination. To call First a mere catalogue of personal facts would be unfair. It's clearly intensely researched, and the people Thomas spoke to and accessed records from would be the ones who would be able to provide a look into the human behind the dignified portrait we all know. But either they were unwilling to divulge information that might paint a fuller picture, or she was truly so private that few people knew her well enough to give it. What this makes for is a book heavy on the who, what, and when, but light on the why.

I'll admit part of my opinion was shaped by my perception that Thomas has an ideological bent to his work. Obviously, O'Connor was a Republican, and Thomas seems to also have a conservative outlook. But when he announces early in the work that he believes her to be the kind of woman who would (this is a paraphrase) roll her eyes at the feminists of today and their objectives, it rankles. There is certainly a conversation to be had about the various waves of feminism and how their goals and methods have differed from/been in conflict with others, and O'Connor may or may not have even thought of herself as a feminist, but these and several other little editorial comments certainly irritated me while reading and made me wonder how well-rounded of a biography he was really seeking to create. In the end, if you want a thorough biography of the quietly trailblazing first woman to sit on the Supreme Court, you'll find a lot here. If you want a more nuanced or complex look at the person she was though, I'd skip it. 

One year ago, I was reading: Brideshead Revisited

Two years ago, I was reading: The Woodcutter

Three years ago, I was reading: The Goldfinch

Four years ago, I was reading: The Games

Five years ago, I was reading: The Wonder

Six years ago, I was reading: Occidental Mythology

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Book 313: First

Book 307: Princess Masako

 

"Here is an ambitious, intelligent woman who cannot bear the stifling constraints of life as a royal puppet; a woman from a family with a tradition of public service denied a real role in life; a woman with a Harvard education, a master of languages, who is denied meaningful discourse, and urged to amuse herself with pursuits such as the dissection of catfish or the study of medieval barges."

Dates read: April 3-7, 2019

Rating: 4/10

One of my guilty pleasures is royal-watching. I spend more time than I should reading about/looking at pictures of the world's royal families, analyzing their fashion choices, gazing longingly at their jewelry collections. It's not that I covet their lives, though I do covet many of their wardrobes, and just putting a tiara on my head once would be one of the highlights of my life. I've read the comments on the royal Instagrams, I've seen how nasty people are about the women in these families. It's just fun to imagine being one of them for a day, and then back to normal.

Though the British royal family sucks up most of the oxygen when it comes to coverage of royalty, it's not the oldest one. Not by a long shot. The oldest is the Chrysanthemum Throne, the seat of the Japanese emperors. Naruhito currently occupies that role, with his wife Masako filling the role of Empress. But like the women married to the British princes, Masako Owada wasn't born into nobility. She grew up in Russia, Japan, and the United States as the daughter of a diplomat. She herself even worked as a diplomat. But once she accepted then-Prince Naruhito's marriage proposal, her entire world changed. Unfortunately, as Ben Hill's Princess Masako explores, it hasn't always been necessarily for the better.

Allegedly, Masako didn't accept the first time Naruhito asked her to marry him. Nor even the second. She was smart enough to know that a life as the consort of the Crown Prince would require her to give up everything she'd earned for herself and accept a tightly circumscribed and entirely domestic role. It seems Naruhito promised her that they'd find a way to loosen restrictions and modernize, but those promises weren't able to be kept. Cut off from her former life and under immense pressure to get pregnant, Masako seems to have become significantly depressed. When she finally did become a mother, she faced a fresh round of criticism for having given birth to a girl instead of a boy, as only men can inherit the throne. Prior to her elevation to Empress, Masako basically became a recluse, appearing in public very infrequently.

There's a lot of (fairly educated) guesswork here, because sources about what Masako really thinks/feels aren't exactly forthcoming. Japanese media culture does not reward the sort of tabloid speculation that sells papers in Europe, and perhaps that is why it seems like Hill's sources were not as strong as one might have hoped. The people he talks to about Masako, who knew her before she became a princess, are either pretty far removed from their last contact with her or never knew her very well in the first place. A behind-the-scenes kind of book like this should feel rooted in firm reality with sources just remaining anonymous to protect themselves, but pretty much everything that's supposed to be revealing in here feels like speculation.

There's no sense of fun, either, which is half the point of picking up this sort of book. On the one hand, it's hard to imagine how this story could be anything but tragic, but on the other hand, letting that sense of sadness pervade the book makes the gossip-y tone feel like rubbernecking at a car accident. I did learn more about the Imperial Household Agency, the courtiers that control the royal family, and got a bit more context on the relationship between the Japanese people and their royalty, and the way it's changed in the post-WW2 era. But as a whole, the book never took off and I didn't feel like I got much besides a straightforward account of the biographical details of Masako's life. If you're really into the Japanese royals, then you might find something worthwhile here, but don't count on it for dishy intrigue. Otherwise, there's no real reason to pick it up.

One year ago, I was reading: Looking for Alaska

Two years ago, I was reading: Patron Saints of Nothing

Three years ago, I was reading: Seduction

Four years ago, I was reading: The Book Thief

Five years ago, I was reading: The Confessions of St. Augustine

Six years ago, I was reading: Primitive Mythology

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Book 307: Princess Masako

Book 306: All The President's Men

 

"The August 1 story had carried their joint byline; the day afterward, Woodward asked Sussman if Bernstein's name could appear with his on the follow-up story - though Bernstein was still in Miami and had not worked on it. From the on, any Watergate story would carry both names. Their colleagues melded the two into one and gleefully named their byline Woodstein."

Dates read: March 27- April 3, 2019

Rating: 5/10

Lists/awards: The New York Times best-seller

I'm a bad liar. Which isn't to say that I don't lie...like everyone else, I do, but I make an active effort to do so less often than I could. Not because I'm more morally righteous than anyone else, but because being bad at lying means I'm more likely to get caught. It's just mentally exhausting to keep track of who you've lied to, about what, and the stress of how to handle it if two people who each know different versions of the story start to talk to each other is too much for me to handle. I'm more likely to keep secrets than I am to lie, but even that's dicey (I'm a compulsive confessor when I've had a beer or two).

It's hard to think of someone more closely connected in the popular imagination to secrets and lies than one Richard Milhous Nixon. On his way to virtually certain re-election, he just couldn't resist the urge to direct a break-in to the Democratic National Committee office, and the cover-up cost him not only the presidency, but his legacy forevermore. It was the reporting of Carl Bernstein and Bob Woodward that really pushed the story forward, and their book All The President's Men recounts how they came to be major players in the scandal. The book is less about the underlying events than one might think, instead focusing primarily on the reporting process.

It turns out that the process of reporting a major story, involving many sources, is...kind of boring? Woodward and Bernstein try to track down sources, find them, talk to them, go back and talk to the same people again to try to get more information out of them, get referred to new sources, and then lather, rinse, repeat. The tension should build towards the next story, then the next, then the next, but it felt more like a trudge than anything else. I have to imagine that it often felt that way to report, little pieces fitting into a larger puzzle here and there, rather than a swelling towards a crescendo. But realistic or not, it doesn't make for very exciting reading. Especially when the biggest mystery of the book, the identity of Deep Throat, has been solved for those of us reading today.

I found myself wondering as I was reading if this story wouldn't have been better served by having someone else tell it. Obviously I understand why Woodward and Bernstein wanted to write the book about their own deeds, but either they're not particularly gifted at narrative-crafting or they're too far inside of it to see the forest for the trees. They recount giddily the editing that led the placement of sentences within a paragraph, making it clear that as reporters this was a fraught and tense process. But as a reader, it holds little excitement. A book that recounted their investigation and placed it in its context of what was happening at The Washington Post and in the Oval Office in a broader sense would be one I'd be very interested in reading. This one, though, left me mostly feeling like I'd really like to watch the Kirsten Dunst/Michelle Williams comedy Dick again, because if this was the real story the other one is much more entertaining. If you love newspaper/political reporting, or have a deeper interest in Watergate and the Nixon administration, this will be something you'll find it worthwhile to read. If you're looking for more dynamic nonfiction, this may be a classic but it is very skippable.

One year ago, I was reading: The White Princess

Two years ago, I was reading: The Line of Beauty

Three years ago, I was reading: Detroit

Four years ago, I was reading: Player Piano

Five years ago, I was reading: The Executioner's Song

Six years ago, I was reading: Through the Language Glass

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Book 306: All The President's Men

Book 304: Inside Edge

"Nearing the end, Boitano passed by the red hockey circle at center ice, which was a landmark to look for to make sure he was on the right path for the final triple axel. He began to hear strange noises in his lead. Please God, please God. They were getting faster and louder until he could barely stand it. As he launched himself into the air, he hoped that all those years of training would come through for him. Muscle memory, they call it. Only when that tiny blade swooped down, reached for the ice, found it, and held him upright did he know he was okay." 

Dates read: March 19-23, 2019

Rating: 5/10

The first team I remember loving is the Red Wings. They went on their Stanley Cup championship runs when I was like 10-11 years old, which are really the best time to hook a kid. I can still name the Russian Five without thinking twice. I love hockey, it's a great sport. But the second sport I remember loving is figure skating. The drama of the Lipinski/Kwan rivalry got me into it, and I've watched it off and on over the years ever since. The intrigue, the competition...and the skating itself, of course, have kept me interested and invested.

Growing up on a lake, I learned how to skate forwards competently enough, but I never took lessons or figured out anything else. I have never been especially well coordinated, so an activity involving razor-sharp blades attached to the bottom of my feet was probably a wise thing for me to skip out on. But some kids do have their skating dreams come true, and Christine Brennan's Inside Edge chronicles a year (specifically, the 94-95 season) on the figure skating circuit for all parts of the skating world: judges, coaches, and of course the skaters themselves. Everyone invests so much time and money and blood and sweat and tears into a sport where the tiniest slip of a blade can be the difference between that glowing moment in the spotlight or the breakdown backstage.

Though there are multiple perspectives wound into her narrative, Brennan does have several connecting throughlines, following particular skaters through the process of the season. There's precocious youngster Michelle Kwan, already poised and assured at only 15. And also talented-but-uncontrolled Nicole Bobek, who could win it all if she could stop sneaking out at night to hang out with boys. There's Rudy Galindo, toiling away and dreaming of reaching the heights of his one-time pairs partner Kristi Yamaguchi. Jenni Tew is an up-and-comer, dreaming of a spot at Nationals. And there are cameos from Scott Hamilton, Brian Boitano, Katerina Witt, and Torvill and Dean for perspective from more established skaters.

It's been well over two decades since the book was published, years in which Christine Brennan has become a respected voice in coverage of the sport. Back then, however, she was fairly new to it, and that newness does show. The drama feels artificially heightened, there's an almost breathless/scandalized quality to it that reads more like gossip than actual reporting. Despite taking some time with a judge and getting information about the amount of (uncompensated!) time it takes to serve as a judge and the seriousness with which they take their responsibilities, there's a lot of aspersions cast at the judging system as a whole, with veiled and not-so-veiled insinuations that judges collude on the basis of nationality and engage in machinations to game the system in favor of particular skaters, no matter what happens on the ice. This was well before the judging scandal of the Salt Lake City Olympics that changed the entire way scoring works in the sport, so it was interesting to get some background on how the system used to be before I started paying more active attention to it.

But it's hard to not take that information, and all the rest of it, with a grain of salt. The tell-all tone, the obvious favoritism towards particular skaters...it doesn't make a case for itself to be taken seriously. If you grew up in the Michelle Kwan era, though, and remember these skaters as some of the first ones you watched, it's an interesting read. It's a portrait, albeit a flawed one, of a time and place, and an environment that has changed so fundamentally that it's impossible to compare to the same world as it exists now. But of course, la plus ca change, and right now there are kids strapping on their skates and getting ready for practice, hoping to make it out there on the ice. I'd say this is a solid read for figure-skating fans, especially if you watched during the time chronicled, but there's not much to recommend it otherwise.

 

One year ago, I was reading: Michael Jackson: The Magic, The Madness, The Whole Story

 

Two years ago, I was reading: The Overstory

Three years ago, I was reading: The Library Book

 

Four years ago, I was reading: The Royals

 

Five years ago, I was reading: Sophie's Choice

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Book 304: Inside Edge

Book 301: Man's Search For Meaning

 

"Not only our experiences, but all we have done, whatever great thoughts we may have had, and all we have suffered, all this is not lost, though it is past; we have brought it into being. Having been is also a kind of being, and perhaps the surest kind."

Dates read: March 9-12, 2019

Rating: 7/10

One of the interesting/terrifying things about the world as we know it is the amount of information we have access to at any given time. We can learn about virtually anything we want, whenever we want. We can see the world's greatest art works on demand. And we can see the worst things that people are doing to each other all over the globe. If you start looking, the tragedy in your hometown alone could break your heart.

In the face of profound despair, it can be easy to wonder what the point even is. The Holocaust, of course, is one of the worst events the world has ever seen. Viktor Frankl was a Jewish psychiatrist living in Austria when Hitler came to power, and like most European Jews, he ended up in a concentration camp. He survived Auschwitz, though, and wrote about how he did so in Man's Search for Meaning. The book is divided roughly in half: in the first, he tells his own story, and in the second, he expounds upon the therapeutic technique he used to make it through, which he calls logotherapy. Essentially, logotherapy consists of finding meaning in one's life, no matter how meaningless it might seem.

Like most Holocaust memoirs, this is difficult to read. Frankl's pre-existing training in psychology is obvious, as he breaks down the ways in which people were psychologically broken upon entering the camps. The procedures used by the Nazis to strip their prisoners of their humanity, their sense of personal dignity and purpose, were brutal and effective. And then, of course, there were the actual physical dangers of the camps: starvation and overwork, which took away strength and energy. For those that did manage to survive, their liberation was not the end of their story. They had to go on to live in the world, and Frankl also talks about the difficulties of re-adjusting to life on the outside.

While not "enjoyable" per se, the portion of the book concerned with Frankl's own experiences is the most compelling and powerful. The actual detailing of logotherpy in the back half of the book feels almost superfluous, because it's both described and demonstrated in how he used it to survive. The more it's described, honestly, the less impact it has...it boils down essentially to the power of positive thinking, to refusing to succumb to the darkness. While it clearly was tremendously important to Frankl, and has surely been helpful to others in their own struggles, it's not all that interesting or novel to read about. If you're looking for a Holocaust memoir with unique psychological insight, this is something you'll really get a lot out of. Just...skip the part at the end with all the psychobabble.

One year ago, I was reading: The Good Soldier

Two years ago, I was reading: Seeing

Three years ago, I was reading: Juliet Naked

Four years ago, I was reading: Valley of the Dolls

Five years ago, I was reading: The Other Side of the River

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Book 301: Man's Search For Meaning

Book 299: Going Clear

"Scientology is not just a matter of belief, the recruits were constantly told; it is a step-by-step scientific process that will help you overcome your limitations and realize your full potential for greatness. Only Scientology can awaken individuals to the joyful truth of their immortal state. Only Scientology can rescue humanity from its inevitable doom. The recruits were infused with a sense of mystery, purpose, and intrigue. Life inside Scientology was just so much more compelling than life outside."

Dates read: February 27- March 5, 2019

Rating: 8/10

I was not a popular child in my catechism class. When we learned about the transubstantiation of the host during communion, I asked if eating the literal flesh of Christ made me a cannibal. I was not shy about raising the hypocrisy of church leadership who engaged in the Inquisition while ignoring their own long history of sin. I suspect no one was disappointed when I finally stopped bringing a book to Mass and just ceased to attend entirely.

Lots of religious beliefs, like the aforementioned communion issue, sound really weird when you take them out of contexts. But it's difficult to top Scientology for oddball beliefs. It's hard to understand why public figures like Tom Cruise, John Travolta, Laura Prepon and Elisabeth Moss would subscribe to a faith that features ancient aliens in volcanos and a galactic overlord named Xenu. Lawrence Wright's Going Clear takes a hard look at Scientology, the life of its founder L. Ron Hubbard and how the new religious movement took root and grew into the David Miscavige-controlled version we know today.

Much of what the book recounts is eyebrow-raising: Hubbard clearly was not entirely mentally well, and embellished his biography at best (at worst, he compulsively lied). His pride, his vanity, his use of the Sea Org as personal indentured servants are grotesque. But worst, and sadly, least surprising of all is his truly awful treatment of the women in his life. And things didn't get better when he passed on and control of the organization passed to Miscavige. If anything, they managed to get worse, with the harassment of critics and defectors taken to astonishing levels.

This was a fascinating book, full of information that was new to even someone like me who has enjoyed tabloid coverage of the faith (though I will say a lot of things that I used to read in The National Enquirer, which I loved in high school, were in here as well). Wright has clearly done his homework: his portrait of Hubbard is in-depth and revealing. He has a harder time with Miscavige, who would seem to have taken action to ensure that details about his life are difficult to come by. As such, the book loses some steam after Hubbard's passing. It's a story with enough drama that it doesn't unduly detract from it, but the focus is diluted.

One of Wright's primary sources for information about life inside of Scientology is Oscar-winning writer and director Paul Haggis. As such, we end up getting quite a lot of information about Haggis' life, and to be honest this is the least compelling part of the book. Every time the narrative returned to Haggis, I groaned. Leaving the church behind isn't easy to begin with, and to do so knowing full well the kind of targeting he would experience by speaking to a writer working on something destined to be less than glowing is brave, but unfortunately that doesn't mean the details of his personal story are all that interesting. As a whole, though, if you've ever been interested in new religious movements, or Scientology in particular, I would definitely recommend this book, as it manages to be both readable and thorough, a tricky feat.

One year ago, I was reading: The Moonstone

Two years ago, I was reading: Death Prefers Blondes

Three years ago, I was reading: Oryx and Crake

Four years ago, I was reading: The Idiot

Five years ago, I was reading: Bel Canto

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Book 299: Going Clear

Book 293: The Mind's Eye

 

"Reading, of course, does not end with the recognition of visual word forms -it would be more accurate to say that it begins with this. Written language is meant to convey not only the sound of words but their meaning, and the visual word form area has intimate connections to the auditory and speech areas of the brain as well as to the intellectual and executive areas, and to the areas subserving memory and emotion.The visual word form area is a crucial node in a complex cerebral network of reciprocal connections—a network particular, it seems, to the human brain."

Dates read: February 1-5, 2019

Rating: 6/10

I was one of those rare kids that needed neither glasses nor braces. I have plenty of issues on the tooth front (so many crowns!), but they grew in straight. And while my vision has declined some over the years, I still can see when I wake up in the morning without having to do anything besides open my eyes. If I'm anything like my dad, I'll probably eventually need reading glasses, but I'm not there yet. It's not until I spend time with people who do need glasses/contacts do I think about being fortunate that I don't have to rely on something else to be able to be able to comprehend my visual environment.

But of course, not being able to see isn't the only thing that can go wrong with the process of vision. Getting input is just one part of it. Oliver Sacks' The Mind's Eye takes his usual case study format and applies it specifically to disorders of visual processing...some of which deal with the actual mechanical part of seeing, but others about the part where we transform that information into something that makes sense. There's a pianist who can no longer interpret the squiggles on a page of music as notes, but whose ability to memorize and play back what she's heard allows her to continue to enjoy and be successful in her field, a writer whose ability to read deteriorates even as he continues to be able to write, and people for whom faces remain untied to the ones they know and love.

What's a bit unusual for this series of case studies is how prominent Sacks himself is among them. Not as a doctor, which is his usual role, but as a subject. In discussing prosopagnosia (face blindness), he uses his own experiences to describe the condition and the challenges it can create. But where this self-insertion becomes somewhat problematic is in his description of stereo-blindness. This disorder is at first described using a patient who has had the condition for most of her life, but who learns to train herself to see with depth and her wonder and delight at the new world that opens up before her is enjoyable. But then he goes into an extended discussion of his own health crisis, with eye cancer, that led to a loss of his much-cherished stereo vision. It's self-pitying and grating in a way that's not typical of his work, even that which recounts personal struggles.

This book, despite being the kind of case study collection where he usually shines, is not Sacks' best. There's the issue I described above, and there's just a lack of coherence and breadth. Even when describing diseases that lead to significant neurological deficits, there's usually a sense of curiosity about what's wrong and cheerful surprise at the adaptations that people are able to make, that's infectious and engaging. While the book starts off that way, by the time it wanders into Sacks' experiences it gets heavy and clunky, and I found myself much less invested in it than I had been previously. If you're intrigued by the ways that perception can go wrong, or you (like me) are an incurable Sacks completist, there's some good stuff here. But if you're not otherwise interested, I don't think the good outweighs the bad significantly enough to recommend.

One year ago, I was reading: A Perfect Explanation

Two years ago, I was reading: The Man In The High Castle

Three years ago, I was reading: My Own Words

Four years ago, I was reading: Crazy Rich Asians

Five years ago, I was reading: The Shipping News

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Book 293: The Mind's Eye

Book 291: Bad Blood

 

"A month or two after Jobs's death, some of Greg's colleagues in the engineering department began to notice that Elizabeth was borrowing behaviors and management techniques described in Walter Isaacson’s biography of the late Apple founder. They were all reading the book too and could pinpoint which chapter she was on based on which period of Jobs’s career she was impersonating. Elizabeth even gave the miniLab a Jobs-inspired code name: the 4S. It was a reference to the iPhone 4S, which Apple had coincidentally unveiled the day before Jobs passed away"

Dates read: January 24-28, 2019

Rating: 8/10

When I was getting ready to graduate from high school, I applied to two colleges: Michigan and Stanford. I'd gone to a summer program at Stanford the summer after my sophomore year and fallen completely in love with it and wanted desperately to go there. And this was back under the old points system that the Supreme Court later tossed, so I was able to do the math for my likelihood to be admitted to Michigan and I knew I'd get in. I sent off my applications and got the small envelope from Stanford. I loved my time at Michigan and am so glad I went there, but a part of me always wonders what my life might have been like if it had worked out differently.

I'm hardly alone at having not gotten into Stanford, as they accept only about one in every twenty applicants. Not everyone who gets in stays there, though, and one dropout is more notorious than the rest: Elizabeth Holmes. At 19, she left the university to found her own company, Theranos, the rise and fall of which is chronicled in John Carreyrou's Bad Blood. Holmes' original idea was a patch that could administer medications directly to the bloodstream. When that proved untenable, though, she turned to blood testing. Terrified of needles, she came up with the idea of being able to run diagnostics using just a few drops from a finger stick instead of the giant scary needles in the arm. It promised to revolutionize the industry, making testing cheaper and easier. There was just one problem: it didn't work.

For a long time, though, she was able to convince people that it did. She raised billions in capital. She built a prestigious board of directors. She was courted by the CEOs of pharmacies and supermarkets, desperate for a chance to implement her technology. And if anyone seemed like they might get in her way or slow her down, she terrified them into silence with legal threats. Eventually, though, a leak sprung, and Carreyrou began to write about the company's struggles in The Wall Street Journal. Despite high-powered lawyers doing their best to separate him from his sources, he was eventually able to expose the massive house of cards that was all Theranos ever was. Holmes and her ex-boyfriend, Sunny Balwani (the company's COO), currently face federal criminal charges that could imprison them for years.

Corporate malfeasance can make for highly entertaining movies, but there's a reason most true crime writers shy away from white collar stuff in favor of murder: it's hard to render bad business practices as exciting on the page. But in Holmes and Balwani, Carreyrou has two striking personalities to work with and he makes the most of them. It might be easy to write Holmes off as a deluded posturer, but he shows how her vindictiveness towards those that might have been able to expose her is the behavior of someone who knows full well what she was doing. And Balwani's fiery temper, the fear he inspired, leap off the page. The writing does sometimes veer into the technical, but the outlines are fundamentally of a confidence scheme, and Carreyrou keeps the book engrossing by focusing on the way it plays out, the way Holmes so often seems trapped in a corner and manages to escape yet again.

Between Holmes, Anna Delvey, and Fyre Fest, scammers are having a moment in American culture. There's something revolting and yet fascinating about people who operate without any of the fear many of us seem to feel about deserving our place. Anyone inclined to feel sympathy for Holmes, to feel like she just got in over her head, will have a hard time maintaining that once they read the truly heartbreaking account of how a prominent scientist who tried to get things back at least adjacent to the track was preyed upon by both Holmes and Balwani. When he eventually committed suicide, the company's only response was to get his work laptop back. We live in a time when technology companies, and the people who run them, are effectuating enormous changes with very few probing questions asked. This book, which I really enjoyed and highly recommend, demonstrates why we should ask more.

One year ago, I was reading: The Borgias

Two years ago, I was reading: The Wind-Up Bird Chronicle

Three years ago, I was reading: Perfect Murder, Perfect Town

Four years ago, I was reading: My Antonia

Five years ago, I was reading: Missing, Presumed

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Book 291: Bad Blood

Book 289: Say Nothing

 

"Seamus started to ask around Belfast. Once, he ventured into a bar on the Falls Road that was known as an IRA hangout. But when he mentioned the name of his mother-in-law, the place went quiet. An old fellow slipped McKendry a bookie’s docket and asked him to go next door to make a bet. On the docket, the man had written: Get away."

Dates read: January 14-19, 2019

Rating: 7/10

We've all said things like "it looks like a bomb went off in here" or "it was like a war zone" without really thinking much about it. The reality is, of course, that most of us in the First World will never experience an active war zone, or see with our own eyes what the aftermath of an explosion looks like. Our lives are comfortably separated from those kinds of incidents. But as recently as the 1990s, there was a place in what's definitely the first world that knew street-level war: Northern Ireland. We saw some clips on tv, listened to U2 and The Cranberries, but (at least for me) knew actually quite little about what was going on and what life was like through the period called The Troubles.

In Patrick Radden Keefe's Say Nothing, The Troubles are explored primarily through the lens of one disappearance: that of Jean McConville, widowed mother of ten. It opens with a startling scene: Jean at home in the evening, trying to relax a little after a full day of work, when masked figures turn up demanding entrance to the apartment. McConville's children try to resist them, but Jean is taken and goes with them. She never returns home. No one will say what's happened to her. We then go back, and forward, to examine how her abduction came to take place, and what became of all the players in the drama afterwards.

There's a lot of information in here: about the origins of the Irish Republican Army and the offshoots that came into being around the time of the fighting (like the Provisional IRA, the one you're probably thinking about when you think about the IRA), the leadership of that group, the eventual rise of Sinn Fein and end of active hostilities. But just as much, it's about people. Dolours Price and her sister Marian, Brendan Hughes, and Gerry Adams from the IRA; and also Jean McConville and her family, how she might have drawn the attention of the IRA, the ways that the sudden and unexplained loss of their mother affected the children as they grew up.

I'll admit I struggled to get oriented in this book at first. I came in with very little background and a lot of the factual stuff, with often confusingly similarly named organizations and groups, is frontloaded. It was hard to get and stay engaged and I honestly found myself turning to Wikipedia quite a bit to get enough context for what I was reading to get my head around it. But once it finished with the set up and dug into the major figures tied up in the disappearing of Jean McConville, it found much more solid ground and got much more compelling. I was left with indelible impressions of Dolours, Brendan, and Gerry, figures who had been completely unknown to me beforehand.

The book prompted me to do a lot of thinking about the porousness of the line between terrorism and revolution, the astonishing power of pure conviction, and the potential of even violent people to turn over a new leaf and be a perfectly normal member of the community. That the members of the IRA thought of the violent methods through which they sought to achieve their aims as justified and that they were military rather than criminal in their killing of other people is obvious. Is this why people like Dolours were able to transition away from their former lives, because she didn't think of herself as a bad person? I always appreciate when a book is able to make me question my assumptions, and if you're interested in learning more about what happened during The Troubles, this book has a lot to offer. But do beware that the beginning is slow and may not provide enough information to really give the kind of context it's clearly looking to. 

One year ago, I was reading: Daughter of Fortune

Two years ago, I was reading: The Coming Plague

Three years ago, I was reading: Sloppy Firsts

Four years ago, I was reading: Shattered

Five years ago, I was reading: Zodiac

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Book 289: Say Nothing

Book 285: Margaret Beaufort

 

"Edward IV's death ushered in a new period of uncertainty in England. With an underage king, it was clear that some kind of regency would have to be declared. Edward IV had brought a stability to the English crown that it had not known since the 1440s, but his dynasty survived him by a period of only just over two years. As one historian has commented, Margaret played a major role in presenting her son, for the first time, as a credible candidate for the throne. She can be considered the second great kingmaker of the Wars of the Roses..."

Dates read: December 28, 2018- January 1, 2019

Rating: 7/10

As we all know, history is written by the victors. But it's broader than that: history is written by the powerful. Which helps explain why we have so many stories by and/or about wealthy, usually white, men. Those were the people with status, who had the means to have their lives and thoughts recorded and taken seriously by the kinds of people who would preserve them. It can be easy to conflate the fact that these stories exist with the idea that they're therefore the most important ones.

It was her connection to a powerful man that gave Margaret Beaufort's life the weight it needed to be documented at all. And what a life it was! In her book, Margaret Beaufort: Mother of the Tudor Dynasty, Elizabeth Norton chronicles the times of the woman who gave birth to Henry Tudor, later to become King Henry VII of England. At age 12, she was married to Edmund Tudor, the son of former Queen Catherine of Valois with her second husband, who was literally twice her age. Despite this gap, she became pregnant before Edmund was slain when fighting for Lancaster against the Yorkists in the Wars of the Roses, leaving her a 13 year-old pregnant widow. The birth was apparently traumatic...despite two subsequent marriages during her potential childbearing years, there's no reason to believe she ever again became pregnant.

As was not uncommon at the time, Henry's life diverged from his mother's. Only about a year after she had him, she was married to Henry Stafford, while Henry remained with his father's family. Her marriage to Stafford lasted longer than her first one, but he too perished in the Wars of the Roses (fighting for York) and Margaret became a widow again in her late 20s. This time, she married Thomas Stanley, whose military support would prove crucial to Henry's eventual reign. While the conflict was ongoing, though, she almost certainly plotted with her former rival, Dowager Queen Elizabeth Woodville, against King Richard III. After Henry became king, Margaret exercised a significant amount of control over his court, almost equal to his queen. She outlived not only her third husband but ultimately, her son.

What I found remarkable about this book was how little Norton had to go on until after Henry's reign began. Margaret Beaufort was a significant heiress, close to the royal family, and a political player in the power games of the day. This, however, was not enough to create much of a record about her life...Norton does an excellent job of walking the line between a very dry recitation of the bare facts Margaret's life and extrapolating too heavily to make things more exciting but less accurate. When she does draw conclusions about subjective reality from the objective record, she explains how she got there, such as when she concludes that Margaret's second marriage was likely a fairly happy one because there's evidence that the couple renewed their vows.

Margaret's life had some quality high drama, and I appreciated the way Norton told her story. As fun as it can be to read something embellished like Philippa Gregory's The Red Queen, getting a sense of the actual person that existed, who is plenty interesting on her own, was something I thought Norton did well. The readership for this book is honestly probably pretty niche: unless you're particularly interested in the history of the English monarchy, particularly the Wars of the Roses, you're not likely to find this especially engaging. If you are interested in historical royal women, though, this is a very solid read and I'd recommend it!

 

One year ago, I was reading: The Southern Book Club's Guide to Slaying Vampires

 

Two years ago, I was reading: Midnight's Children

 

Three years ago, I was reading: The Heart of Everything That Is

 

Four years ago, I was reading: Migraine

 

Five years ago, I was reading: Devil in the White City

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Book 285: Margaret Beaufort

Book 284: The Island of the Colorblind

 

"Hearing this mix of languages started to give me a sense of Micronesia as an immense archipelago, a nebula of islands, thousands in all, scattered across the Pacific, each as remote, as space surrounded, as stars in the sky. It was to these islands, to the vast contiguous galaxy of Polynesia, that the greatest mariners in history had been driven – by curiosity, desire, fear, starvation, religion, war, whatever – with only their uncanny knowledge of the ocean and the stars for guidance."

Dates read: December 24-28, 2018

Rating: 5/10

Islands loom large in the cultural imagination. It's easy to project our own subconscious stuff onto them. For some they seem dangerously isolated and lonely. For others, they conjure up images of exclusivity and "getting away from it all". Some might see a place to explore and conquer for their own. For the super-rich, it seems like buying a private island is practically a rite of passage. A whole territory where you can make all the rules.

But islands aren't just symbolically important. They're also important from a scientific perspective...after all, it was the Galapagos Islands that helped Darwin develop his theory of evolution. And the kind of isolated community that islands usually were until very recently, when more of them became accessible through trans-oceanic flight, provide all kinds of data about what can happen to a population that extensively intermarries. Neurologist Oliver Sacks details his travels to two island groups to examine these kinds of phenomena in The Island of the Colorblind. It's really almost two books in one: in the first segment, he goes to Pingelap (in Micronesia) to learn more about the community there, which has a significant incidence of total colorblindness. And in the second, he goes to Guam to look into a unique neurological condition called Lytico-Bodig disease that may be linked to the local cycad flora.

The book departs from Sacks' more usual case study format, instead looking at larger populations with a few specific examples from each. Perhaps this is why I found it by far the least compelling of his work that I've read thus far. The front half of the book was solid but unspectacular, focusing not just on the mechanics of total colorblindness but (as is typical in his work) the experience of life with colorblindness and a thoughtful consideration of whether it should be considered something to be "fixed" if it were possible to do so. The back half was where it fell apart: there's no scientific consensus on what does cause Lytico-Bodig, which is a syndrome with varying symptoms, and Sacks indulges himself in long meditations on the cycad plants that may or may not contribute to the disease's development.

I love reading Sacks' work because of the way he presents his patients as full people, considering not just the obstacles they face from neurological disorder but the ways in which they are able to adapt to their new circumstances. I walk away in awe of how the brain works and the strength and ingenuity of people to cope when their brains stop working the way they used to. The book did none of that for me. That's not to say I didn't get anything out of it! Like I mentioned above, I did find the discussion of colorblindness compelling, if unfocused. But once the book moves to Guam and Sacks begins rhapsodizing about the greenery, it lost me. In Uncle Tungsten, his memoir of his childhood, he did manage to attract and hold my interest with the way he wrote about his love of chemistry and the elements even though neither of those subjects really does much for me on their own. But he fails to bring that same magic to cycads. Another thing that didn't really work for me was Sacks' tendency toward extensive footnoting. Usually it doesn't bother me, but the interruptions to the narrative for footnotes was so frequent that it broke up any momentum it might have been gathering and left this feeling like a slog to read. As you can tell, I didn't love this book. I'd recommend it to Sacks completists only. 

 

One year ago, I was reading: The Weight of Silence

 

Two years ago, I was reading: The Brief Wondrous Life of Oscar Wao

 

Three years ago, I was reading: Stiff

 

Four years ago, I was reading: The Skies Belong to Us

 

Five years ago, I was reading: I Am Livia

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Book 284: The Island of the Colorblind

Book 276: Uncle Tungsten

 

"My own mood had been predominantly scientific for four years; a passion for order, for formal beauty, had drawn me on—the beauty of the periodic table, the beauty of Dalton's atoms. Bohr's quantal atom seemed to me a heavenly thing, groomed, as it were, to last for an eternity. At times I felt a sort of ecstasy at the formal intellectual beauty of the universe." 

Dates read: November 14-19, 2018

Rating: 7/10

Sometimes I wonder how much our family has to do with who we turn out to be. Would I love reading so much if I hadn't grown up in a household where it was heavily encouraged? Then again, I do love TV even though my mom didn't let us have very much of it when I was growing up. And you hear all the time about nerdy kids who grew up in Sports Families (and vice versa). I guess the only thing I feel comfortable concluding is that raising can encourage latent tendencies in a child that already exist.

That being said, though, is it any surprise that Oliver Sacks grew up to be a scientist? The world-famous neurologist was himself the son of doctors, and had several aunts and uncles who made their living from science. The title personage of Sacks' memoir Uncle Tungsten was an uncle who owned a lightbulb factory that made filaments from, well, tungsten, and gave young Oliver the inspiration to study chemistry, which persisted through his London childhood. As Sacks got older, he became more and more engaged in studying the periodic table, and the book uses its development as a framework for Sacks' own.

In many ways, his recollections are tales from a lost world...not just the major historical events like the Blitz (which sent Sacks and one of his brothers to a boarding school in the countryside where they were treated with cruelty), but of a time when a child could get himself to the chemistry supply store and just buy the things they needed to perform their own experiments. Sacks built himself a chemical lab station in his room and happily produced minor explosions without much in the way of adult involvement. He recounts these experiments, along with the development of the periodic table and the discovery of new elements, in sometimes-tedious detail, but by the time he reaches his story's end, he's entered his teenage years and his interest in chemistry is no longer as all-consuming as it once was.

Much to the consternation of my own pharmacist mother, I never really took to chemistry. I found it dry and complicated in a way that did not engage my brain. This book's emphasis on the subject, therefore, kept me from being as fully immersed in it as I'd hoped to be. It is as much a book about how the elements were discovered and organized as it is about the childhood of Oliver Sacks. I actually found it fairly interesting despite myself, at least until it got later on when the naturally occurring elements were all on there and it turned towards the chemically derived ones.

On the whole, though, if you're inclined to like Oliver Sacks, you'll likely enjoy this memoir. In both this book and A Leg To Stand On, he treats his own experiences much like those that he recounts of his patients in his other work...with kindness and genuine curiosity. A lesser writer would have used the pathos of the awful boarding school experience he had to manipulate the emotions of his readers, but Sacks recounts it straightforwardly and without dismissing its ultimate importance, lets it slide mostly into the background. At the end of the day, this book recounts the childhood of a well-off British Jewish boy, surrounded by high achievers, who became deeply entranced with chemistry and grew up to be a neurologist. Very little exciting actually happens, but Sacks' skill with words and the obvious delight he takes in learning and sharing his knowledge, it ends up being a compelling read. I'd recommend it for anyone, especially Sacks fans and people who enjoy memoirs.

One year ago, I was reading: Lost Children Archive

Two years ago, I was reading: The Stranger

Three years ago, I was reading: The Immortal Life of Henrietta Lacks

Four years ago, I was reading: Chemistry

Five years ago, I was reading: The Nazi Hunters

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Book 276: Uncle Tungsten

Book 273: In Defense of Food

"What would happen if we were to start thinking about food as less of a thing and more of a relationship? In nature, that is of course precisely what eating has always been: relationships among species in systems we call food chains, or food webs, that reach all the way down to the soil. Species coevolve with other species that they eat, and very often there develops a relationship of interdependence: I'll feed you if you spread around my genes."

Dates read: November 3-7, 2018

Rating: 5/10

Lists/awards: The New York Times Bestseller

Some of the weirder things about me are my food quirks. A dedicated lifelong picky eater, I have lots of what I refer to as my "weird food things". I don't like my food to touch. I have never liked milk in my cereal. I hate condiments of all kinds. Cilantro tastes like soap to me (this one is genetic). I've been a vegetarian since I was fifteen. As much as I know they're weird, I get touchy when people question them. The choices about what food to put inside your body are some of the most personal ones of all.

But also, the choices we make about food are influenced heavily by the processed food and nutrition industries. They're the ones who advertise our foods to us, who tell us what's "good for you". But what if those people are ignorant at best, or deceitful at worst? Michael Pollan's In Defense of Food examines the powers-that-be related to eating, and proposes his alternative to listening to the many voices who'd like to get our attention about what we're putting in our mouths. He sums up his philosophy right at the beginning of the book: eat food, not too much, mostly plants. He then proceeds to explain what exactly he means by each of those three tenets.

The bulk of the book is focused on the definition of "food". Pollan asserts that it's not what we might instinctively think, which would consist of pretty much everything we eat. Instead, Pollan rails against processed food, which he considers unworthy of even bearing the label. He also describes his issues with food science, which he criticizes as overly concerned with individual nutrients, too closely tied to the business of food, and for its history of inaccuracy. The latter two parts of his philosophy (not too much, mostly plants) are much more straightforward: we eat too much, both because our bodies do not recognize what we eat as actual food, and also because our rituals around eating have drastically changed. And plants are easily identifiable as real food, and very healthy for the body.

These are not bad ideas to keep in mind when thinking about one's own diet. More foods with little or no processing, more time and energy put into meals made of these "whole" foods, more fruits and vegetables. And there's no question that American diets are, as a whole, failing to keep Americans in good health. Obesity rates continue to rise, as do rates of diabetes and cancer. Clearly, something about the way we eat isn't working, and Pollan's suggestions make a lot of instinctive sense.

But I found this a troubling book in its own way, to be completely honest. Pollan gleefully dismisses science related to food and nutrition, leaving him free to assert whatever he wants without any pressure to support his positions, because after all, food science is bunk (he does use science to support some of his positions when he can find it, which is hypocritical). As science as a whole feels increasingly under threat, this is concerning to me. Also problematic is the amount of privilege reflected in Pollan's suggestions. The ability to access a place where fresh, whole food is sold, the ability to afford that same food, the ability to find the time to make that trip and spend that money, and then turn around and prepare the food, assumes a great deal about what people's lives look like. While he might tell readers to not eat anything that our grandmothers wouldn't recognize as food, I live a life that neither of my grandmothers would recognize as at familiar. So while the book did inspire me to think more critically about my own consumption patterns, I feel very comfortable in not taking it especially seriously. There are some decent ideas here, but I can't affirmatively recommend a book so dismissive of science.

One year ago, I was reading: Brother of the More Famous Jack

Two years ago, I was reading: The Prime of Miss Jean Brodie

Three years ago, I was reading: Henry and Cato

Four years ago, I was reading: The Bear and the Nightingale

Five years ago, I was reading: The Guest Room

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Book 273: In Defense of Food

Book 272: Seduction

"Howard Hughes was not the only mogul in Hollywood who profited off treating actresses as sex goddess flavors of the month, good for consumption in a brief window but disposable as soon as the next variety came along. As with so much in his career, Hughes did the same things that other men did—he just did them more crudely, and with even less of a regard for the person these actresses were before they came into his life, and what would become of them once he had moved on. And he always, eventually, moved on." 

Dates read: October 28- November 3, 2018

Rating: 9/10

If you're a girl, you've probably at some point considered whether you're a Marilyn or an Audrey. I was always a Marilyn myself...when you get bosoms early, you reconcile yourself to being a Marilyn. You lean in to "sultry", because that's the role everyone puts you in anyways. But I always admired the Audreys of the world, and of course Audrey herself. The elegance, grace, and reserve she projected onscreen seemed out of reach to me, and was something I wished I could be even though I knew full well I wasn't.

No matter who we are, female movie stars speak to us. They give us symbols to crush on, or idolize, or reject. For millionaire tycoon Howard Hughes, though, they were what he wanted to collect. Karina Longworth had put together several episodes of her excellent podcast, You Must Remember This, about women who'd been involved personally and/or professionally with Hughes, and compiled that information and more into Seduction: Sex, Lies, and Stardom in Howard Hughes' Hollywood. For all that his public memory seems to be tied up with the Spruce Goose and being a famous recluse who at one point maybe wandered around the Nevada desert, he not only dated a string of Tinseltown's most famous women, but bought and ran a studio. He was a significant figure in the Golden Age of Hollywood.

Longworth mostly eschews the trappings of traditional biography, except for a relatively brief discussion of Hughes' early life. She's not trying to write that book. Instead, she's trying (and succeeds!) in writing a book that focuses on his connections to the movie industry and the actresses who populated it. From his romancing of silent star Billie Dove, to launching the career of Jean Harlow when he cast her to be "the girl" in the long-gestating aviation epic Hell's Angels, to a serious romance with Katharine Hepburn, to his discovery of Jane Russell and controversial ad campaign for The Outlaw, the movie he made with her, Hughes was deeply immersed in cinema and its world. Through the purchase of the studio RKO, he was also able to gain enormous amounts of control over young women who dreamed of being stars.

This control, that he was able to exert over his contracted actresses and that he attempted (and sometimes succeeded) to exercise over his movie-star girlfriends, tells us a lot about the person Howard Hughes was, how he saw himself, and how he saw women. This is what Longworth bases her narrative on. A clear pattern emerges, of the type of pretty, busty brunette he tended towards, of the Madonna/whore dichotomy in which he placed them, of the way he allowed many of them to disappear from view because he didn't have anything to give them but didn't want anyone else to have them. Hughes was not alone among studio runners in his neglect of contracted talent, or his attempts to run the lives of those women to a certain set of standards. That was par for the (gross) course for the time, but his was especially exacting and rigid. Things come to a close for Longworth's purposes not long after he divested himself of the studio and left California for Nevada, though his marriage to actress Jean Peters and continued obsession with film give some shading to that part of his life.

I found this a truly well-crafted, engaging work of non-fiction. Though my tolerance for "boring" history is substantial, I always appreciate a lively narrative that does more than recite a series of events, and Longworth accomplishes that here. Her background with podcasting does show itself a bit in the slightly episodic form of the book (which I didn't think detracted from it at all), but it also shows itself in her ability to think about the work as a storyteller with an audience to engage. She's very skilled at structuring her material to match a narrative arc, and despite being over 500 pages long it doesn't get dull or drag. Rather, it's a fascinating and sometime enraging portrait of a man with profound psychological demons who was able to mistreat women without consequences because of his wealth and position in the world. I really enjoyed reading this book and recommend it heartily to anyone who enjoys not just Old Hollywood, but the movies/celebrity culture in general...a lot of what we see today is different more in scale than substance.

One year ago, I was reading: The Holdout

Two years ago, I was reading: The Silkworm

Three years ago, I was reading: My Name Is Venus Black

Four years ago, I was reading: Nefertiti

Five years ago, I was reading: The Namesake

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Book 272: Seduction

Book 271: Bringing Down The House

 

"Contrary to what many novices believed, the goal of blackjack was not to get the best hand possible; it was to beat the dealer’s hand."

Dates read: October 25-28, 2018

Rating: 5/10

Lists/awards: The New York Times bestseller

Despite the fact that I've lived in Nevada since 2012, I can count on one hand the number of times I've gambled. Why? Well, I live here. I know how it works. Casinos aren't profitable because you make money. They're profitable because they make money. You may make money here or there, but on the aggregate, the house wins. That's how the system is designed to work.

But there are always people trying to find an edge, and sometimes they succeed (at least for a while). Ben Mezrich's Bringing Down the House tells the story of a group of people who did just that. Math nerds! In the 90s, at the Massachusetts Institute of Technology, a professor developed a method for team-based blackjack play, and recruited students to take his style of card-counting to Las Vegas. Card counting technically isn't illegal, but casinos can and will boot players who engage in it from playing on their floors. So while the teams are winning big, they're ever-watchful for security and the consequences that might come.

Mezrich fictionalizes all of his characters, including the one through whom he tells the story, calling him Kevin Lewis. A senior on track to graduate with an engineering degree and a steady girlfriend, he's intrigued when two of his friends tell him about the blackjack team they're on and take him along for a weekend at the casinos with them. There's the glamour and flash, but there's also the appealing intellectual challenge of the whole thing. He gets drawn into their world, going through their recruiting process to officially join the team, becoming at first a supporting player and then a main figure on the team. He grows distant from his previous life, breaking up with his girlfriend and having less and less he can talk about with his family, just marking time back home between his trips to Las Vegas with his team.

But they've caught the eye of the powers that be, and they can feel the pressure ramping up. Asked to leave from more and more casino floors, they try disguises, have third parties like strippers cash out their chips once they've been busted and banned, and when even those measures fail, seek alternate gaming venues. Riverboats. Reservations. Even overseas, leading to an incident in which team members are roughed up by the locals. Trust fractures between the members, and eventually there's nowhere else to go.

This makes a solid airplane read (which is where I read most of it myself). Kevin is easy to like...he doesn't get in as deep as some of the other players, which makes him seem grounded and more identifiable. There's a kind of fantasy element to it, the idea that you could learn a straightforward (albeit difficult to master) skill that could make you enormous sums of money, have a regular life as a normal person but live it up in VIP style on the weekends. The tension keeps up nicely and the plot moves along quickly. The book doesn't ask you to do too much in the way of critical thinking.

And maybe it's hoping you won't, because it came out afterwards that many of the more salacious aspects of the book were completely made up. The dramatic try-out in an underground gaming parlor, the strippers cashing out chips, even the physical assault...members of the team on which the book is based have come forward to say those are all lies. Which undermines the impact of the book, and completely discredits Mezrich as an author. And on Mezrich's authoring, this book is no great shakes in terms of prose quality. Everyone besides Kevin comes across as a narrow stock character, and the whole thing is written in a "this happened, and then that happened, and then the next thing happened" way that doesn't allow the material (however exaggerated it might be) to really shine the way it could have. It's entertaining enough, if you take it with an enormous grain of salt. It's far from unmissable, though, and if you're not interested in reading the source material for the movie 21 or in stories about Las Vegas/gambling, it probably won't do much for you.

One year ago, I was reading: The Lives of Tudor Women

Two years ago, I was reading: Forest Dark

Three years ago, I was reading: Wonder Boys

Four years ago, I was reading: Zealot

Five years ago, I was reading: Ahab's Wife

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Book 271: Bringing Down The House

Book 270: Detroit

 

"The city, what's left of it, burns night after night. Nature—in the form of pheasants, hawks, foxes, coyotes and wild dogs—had stepped in to fill the vacuum, reclaiming a little more of the landscape each day. The streets were empty and cratered. The skyscrapers were holograms. I stood and admired a cottonwood sapling growing out of the roof of the Lafayette Building. This was like living in Pompeii, except the people weren't covered in ash. We were alive."

Dates read: October 21-25, 2018

Rating: 6/10

I was born in Detroit. Not "Detroit", the way some people use it, to mean Royal Oak or Birmingham. But actual City of Detroit, in Harper Woods. My mom had lived there for her whole life, from the fifties when she was born until the late eighties when we left. When I was about three, we moved out to what had been her parents' summer lake house, about an hour away, and that's where I was raised. Though I barely lived there, and it was three decades ago now, I'll never stop rooting for my native city.

The City of Detroit's motto is "Speramus meliora; resurgent cineribus", which translates to "We hope for better things, it will rise from the ashes". Which sounds really on the nose for Detroit now, but actually dates back to 1805 and the aftermath of an actual fire. So how did a city once known for its prosperity and loveliness (called the "Paris of the West"!), turn into...well, Detroit as we know it? When reporter Charlie LeDuff returned to his hometown after spending more than a decade working at The New York Times, he started up at The Detroit News, and his attempts to answer that very question went into his book, Detroit: An American Autopsy.

Detroit is a mix of a little bit of several things: part history, part investigation of public corruption, part memoir. The issues of the city aren't just abstract facts to LeDuff...he grew up there, watched his mother struggle to maintain her business and raise her family as the crime rate spiked, and his own sister became addicted to drugs and died young, leaving behind a daughter who's on the same path. He traces the city's boom, and then the white flight that began when the Great Migration brought Southern black people to the industrial north, and then the increasingly shady operations of the City Council. LeDuff began his tenure at the News as Kwame Kilpatrick's reign as Mayor was in its death throes, his misconduct and that of other City electeds like Monica Conyers finally becoming so blatant it could no longer be swept under the rug.

In the strongest portions of the book, LeDuff takes one aspect of the very real consequences of municipal mismanagement, the woeful underfunding of the Fire Department, and uses it as a microcosm of the larger problem. He introduces the firefighters, constantly called out into a sprawling, arson-happy city with trucks and equipment well past expiration dates. But they keep on going anyways, out of love for each other and a sense of duty to the residents, even though the conditions they're put in mean they're at much higher risk of death and injury.

These firehouse sections are so strong, in fact, I found myself wishing they had been the whole book. LeDuff's an undeniably talented writer, but his lack of focus made it less compelling than it could have been. I found the memoir-esque portions least interesting, and while his look at the malfeasance at City Council did grab my attention, it wasn't nearly fleshed out enough to paint a full picture. LeDuff's connection with the firefighters and sympathy for their Sisyphean task is obvious, and the work just comes alive when he's spending time with them. As it is, the book tries to do a little too much, and sacrificing its ability to do any of it to a level of true excellence. It's good, and if you're into reading about Detroit, it's well-worth your time, but if you don't have an underlying interest in the city, it might not be for you.

One year ago, I was reading: Whores of the Devil

Two years ago, I was reading: The Mind's Eye

Three years ago, I was reading: Thank You For Smoking

Four years ago, I was reading: Orange Is the New Black

Five years ago, I was reading: Creative Mythology

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Book 270: Detroit

Book 267: The Library Book

 

 

"I was transfixed. It wasn’t that time stopped in the library. It was as if it were captured here, collected here, and in all libraries—and not only my time, my life, but all human time as well. In the library, time is dammed up—not just stopped but saved. The library is a gathering pool of narratives and of the people who come to find them. It is where we can glimpse immortality; in the library, we can live forever."

Dates read: October 6-10, 2018

Rating: 7/10

I don't remember the first time I went to the library. I'm sure I went quite often as a small child, but my first memories are of the Hamburg Township Library when I was probably about 8ish. There was a small market nearby to the original location, the one that was there for most of my childhood, and my mom would often drop me off to find a book while she took my sister and picked up some extra things for the week. As I got older, we'd spend more time at the library in Brighton, a neighboring bigger town with fancier facilities and wider selection. When my mom was mad at me for mouthing off, I'd be punished by being excluded from the next trip there. I can still conjure up in my mind the exact way the young readers section looked at Hamburg, the way the floors creaked. I remember how the nonfiction section smelled at Brighton, the older books with their distinctive aroma.

Like millions of people all over the world, I have a fond, deep attachment to libraries. Author and journalist Susan Orlean is one of those people who grew up loving the library, but found herself not visiting it as much as an adult. But then she had a kid, started visiting her local branch in Los Angeles, and found out for the first time about a major fire there in the 80s that burned hundreds of thousands of books...assumed to be arson, but never actually solved. This inspired her to write The Library Book, which explores not just that fire and the recovery afterwards, but also the history of the Los Angeles Public Library in general and the changing role of it (and other libraries) as the greater world has become a different place.

As you might be able to tell from that description, there's not one particularly strong focus for the book. The closest thing to a through-line is a true-crime-esque accounting of the investigation of the fire, and the primary suspect, a failed actor named Harry Peak. But along the way, Orlean touches on the history of libraries, especially the one in Los Angeles, highlighting several of the more interesting directors it has had along the way. While the image of a library in the popular consciousness tends to be of a somewhat stuffy institution, Orlean talks to librarians on the ground to get a more nuanced view, particularly about the role they play in coordinating community and social programming for their users, from children, to new Americans learning English, to the homeless. And she also includes input from the library staff that were there at the time of the fire, the way it impacted them, and how they and the library itself got back to normal.

Orlean's genuine appreciation and love for reading, books, and libraries shines through the text, making an instant connection with the reader. It's impossible to not happily recall your own wonder at the library the first time you went in and realized that all these books are just here, for anyone to take with them and read. And while it might not work for everyone, I found Orlean's subject-hopping to be refreshing...it kept any one portion from bogging down or getting boring. Her descriptions of how the Los Angeles Public Library came to be designed and built made me want to visit it, to see it for myself, and reflect on the ways that public good buildings like libraries have seen their value, in the eyes of the public, decline over the years. Older libraries were often constructed as grand, their mission seen as important and necessary. Nowadays, it's about how to keep costs down, aiming for sturdy functionality over inspiration.

The way Orlean unwinds her story may prove irritating to a reader who prefers a strictly linear narrative. And after spending quite a bit of time going down a path which makes you think she's relatively convinced of Peak's guilt for setting the library ablaze, she refuses to draw that conclusion, leaving it ambiguous in a way that could be frustrating for someone who really wants closure. But her storytelling skills are top-notch, and if you're willing to follow her, you'll be rewarded by a genuinely compelling work of non-fiction. While I'll admit it didn't have the little something extra that would have pushed it to "great" in my mind, it was very good and I happily and highly recommend it to everyone, especially those who love to read. 

One year ago, I was reading: Sin in the Second City

Two years ago, I was reading: Say Nothing

Three years ago, I was reading: Ghost Wars

Four years ago, I was reading: The Wars of the Roses

Five years ago, I was reading: The Woman Who Would Be King

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Book 267: The Library Book