Showing posts with label newsweek top 100 books. Show all posts
Showing posts with label newsweek top 100 books. Show all posts

Thursday, October 4, 2018

Book 149: Mrs. Dalloway



"How much she wanted it- that people should look pleased as she came in, Clarissa thought and turned and walked back towards Bond Street, annoyed, because it was so silly to have other reasons for doing things. Much rather would she have been one of those people like Richard who did things for themselves, whereas, she thought, waiting to cross, half the time she did things not simply, not for themselves, but to make people think this or that; perfect idiocy she knew (and now the policeman held up his hand) for no one was ever for a second taken in. Oh if she could have had her life over again! she thought, stepping on to the pavement, could have looked even differently!"

Dates read: May 29 - June 4, 2017

Rating: 7/10

Lists/Awards: Time All-Time 100 Novels, 1001 Books You Must Read Before You Die, Newsweek Top 100 Books

Our lives are the series of hundreds, even thousands of choices that we've made day by day. Sometimes those choices are the obvious, life-changing kind: where to go to school, who to date, the career path we pursue. But sometimes they're little things that we couldn't imagine having big ramifications. Going out instead of staying in one night, or vice versa. Like Sliding Doors. But it's all the choices, taken together, that really make up having a life.

Virginia Woolf's Mrs. Dalloway takes place over the course of just one day, as the titular Clarissa Dalloway prepares for and throws a party, but its scope is really her whole life and the choices she's made. Most importantly, the summer when she rejected the suit of her friend Peter and instead chose to marry Richard Dalloway, a minor politician with whom she has a daughter who's now a young woman herself. Peter is suddenly back in town, in pursuit of a divorce for the younger-but-married woman he's been courting, and comes by Clarissa's home that morning, spurring her to think about that time of her life, when she was more passionate and free-spirited.

There's a parallel story going on as well, that of Septimus Warren Smith. Once an idealistic student studying Shakespeare, he joined up to fight in World War I without really thinking about what he was getting into. He ended up with what we'd probably now diagnose as PTSD, and when he was sent to the villa of an Italian hatmaker to recover from his shellshock, impulsively married Lucrezia, the hatmaker's lively daughter. Although the pair has been married for several years by the time the book takes place, they have not yet had children, much to Rezia's chagrin. Septimus' mental state, always delicate, has taken a turn for the worse and his wife is desperately trying to find him adequate help. Although the stories at first seem disconnected, it becomes obvious that Clarissa and Septimus are foils for each other. Each is reflecting back on their lives and choices and the consequences of decisions long-since made, and teetering between hope and despair.

This is one of those literary classics that I'm glad I came to outside of the typical "high school English" setting. Like The Great Gatsby (which I hated when I read it in high school, but loved once I read as an adult), it's steeped in themes of remembrance and regret and reflecting on the choices made or not made that have shaped your path. And I'm sure I would have been disgusted that Clarissa had decided to marry steady, boring Richard who struggles to even just tell her he loves her because he's so uncomfortable with feelings instead of Peter, who struggles to contain his wellsprings of emotion and with whom she clearly has a more natural chemistry. But adult me understands that sparking passion isn't the same thing as love, and that Peter has not been able to make a steady relationship last, while Richard and Clarissa are still married, indicates that her instincts had merit.

Although it's only about 200 pages long, Mrs. Dalloway is a dense novel that I read at about half of my usual pace. The narration skips around, following mostly Clarissa and Septimus but also Rezia, Richard, Peter, and others. As a book focused on memory, it's presented in a more stream-of-consciousness style and demands close attention. It's one of those books that you read and immediately know you're going to get more out of every time you go back through it because there's a lot there, and I'm sure this is a book I want to revisit. Woolf's writing is lovely, not flowery or excessive but still packed with powerful themes and emotions. Since I wasn't an English major, this is actually the first time I've read her work and I walked away wanting to read more. I'd recommend this book to everyone.

One year ago, I was reading: The Royals (review to come)

Two years ago, I was reading: Sophie's Choice

Thursday, February 4, 2016

Book 10: All The King's Men



"But if anything is certain it is that no story is ever over, for the story which we think is over is only a chapter in a story which will not be over, and it isn't the game that is over, it is just an inning, and that game has a lot more than nine innings. When the game stops it will be called on account of darkness. But it is a long day.” 

Dates read: November 27- December 6, 2015

Rating: 10/10

Awards/Lists: Pulitzer Prize for Fiction, Time's All-Time 100 Novels, Newsweek's Top 100 Books, The Observer's 100 Best Novels

Like I mentioned a little while back, apart from my bookworm tendencies, I'm also a big fan of movies. I remember watching the Sean Penn movie version of this novel and (like many critics for what was supposed to be an awards-bait picture) walking away deeply unimpressed. I didn't even really remember the plot of the story, except that the main character was supposedly based on former Governor of Louisiana Huey Long and that it was "about" political corruption.

As it turns out, the actual novel is only partially about political corruption. Politics is mostly a framing device for the real story. The meat of the book is about how actions have consequences, and that there's no getting around that. Reporter-turned-political-staffer-type Jack Burden (it's hard to describe what it actually is he does for Willie Stark, the Huey Long analogue referenced above, and don't think for a second that surname isn't symbolic) burned out of his Ph.D. program when he uncovered a story that made the consequences of heedless actions too real, and tries to hide behind inaction to save him from having to deal with that kind of responsibility. His work for Stark means that he mostly doesn't have to make decisions, until it intersects with his personal life in a way that starts forcing him to do just that and refusing to let him slip quietly away from the results.

That central conceit, though, isn't really clear until you get about halfway through with the story. The first part of the story feels very much like a standard issue dramatic story about yes, politics and corruption. We learn the story of Willie Stark, how he made it from a bumpkin, to a young political appointee fighting a shady, kickback-laden county contract, to a stooge goaded into running for Governor by people using him for their own purposes, to a morally questionable Governor himself. That part of the novel is interesting and easily digestible enough, but the real power of it comes from the later, more philosophical part that shifts Stark's story into the background and brings Jack's story up front.

The storyline wrangling and plot development is masterful, but where the real beauty of this book is are the words. Robert Penn Warren won the Pulitzer Prize for this novel, but he also won one for poetry, and you can tell. Picking out a highlight quote was torture...I read this on the Kindle and digitally underlined about half the book because I was so in love with the language. It's a page turner, but not in a suspenseful kind of way. You just want to keep reading it to keep basking in the glory of the writing. I was sad to put it down when it was over.

Tell me, blog friends: what politically-themed books or movies float your boat?

Thursday, December 3, 2015

Book 1: Beloved



“Freeing yourself was one thing, claiming ownership of that freed self was another.”

Dates read: October 6-October 11, 2015

Rating: 10/10

Awards/Lists: Pulitzer Prize for Fiction, American Book Award, Time's All-Time 100 Novels, NY Times Best Books of the Year, 1001 Books You Must Read Before You Die, Newsweek's Top 100 Books, 501 Must Read Books

I grew up in a small town in southeast Michigan full of white people. In my graduating class of over 300, I can think of four people of color. Slavery and Jim Crow were things we learned about in sterile classrooms, that happened a long time ago and far away.

I went to school at the University of Michigan, where I experienced cultural diversity that I'd never known before. My friends were Indian, Jewish, Persian, Chinese...but it wasn't until I went to law school at the University of Alabama that I started to have friends that were black. And race relations in the South were an eye opener for someone that had lived in what's now pretty obviously some odd little bubbles: first of homogeneity, and then a bastion of progressive politics.

I've read African-American lit before, obviously...Native Son, The Color Purple, and Their Eyes Were Watching God, The Bluest Eye, 12 Years A Slave. But with the possible exception of the last one on that list, none really drove home the harrowing legacy of slavery quite as viscerally as this one.

Beloved tells the story of Sethe, an escaped slave who lives in Ohio with her teenage daughter, Denver, in isolation in a house haunted by a baby ghost. When Paul D, a former slave who was on the same plantation as Sethe, arrives on her doorstep, everything begins to change. Paul D banishes the baby ghost, but just as things start to settle into something resembling peaceful, a strange young woman named Beloved appears outside Sethe's house and insinuates herself into the family to disastrous effect.

The story switches back and forth in time, from Sethe's young womanhood on the plantation to where the story began, even as the present storyline progresses. Horrors only lightly hinted at in the beginning develop fully as Beloved begins to assert her control, showing how Sethe and Denver ended up alone together in that haunted house to begin with. Beloved herself becomes more than just a mysteriously powerful young woman, breaking the people around her down from the inside, she becomes symbolic of the monstrous nature of slavery itself. Sethe, Paul D, and Denver might be "free", but the pernicious legacy of slavery is inescapable.

I found myself wondering as I was reading the book if Toni Morrison had read any Eastern European Jewish folklore, for Beloved reminded me of nothing so much as a dybbuk. True to a kind of folklore style, the novel relies heavily on magical realism, which isn't usually my favorite style of writing (I love fantasy novels, but I like them separately from my regular fiction), but works very effectively here. It allows Beloved to have many psychological lenses through which she can be interpreted without letting the story be set comfortably away from actual experience. Beloved, and Beloved, demands that we confront the real, continuing injustice of slavery. It doesn't let us hide behind long ago and far away.

Tell me, blog friends...what books especially moved you to think about a social justice issue you'd never really thought of before? Do you have any favorite books by black female authors that you'd like to recommend?