Top Ten Tuesday: Ten Most Recent Adds To My TBR

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week's subject is technically our ten most recent reads, but I tell you about those in my monthly updates anyways. So I thought I'd talk about the ten most recent additions to my to-be-read list instead!

Assembly: This book, about a Black British woman who reconsiders her life and choices as she prepares to go to a fancy party at her fancy boyfriend's fancy house, sounds thoughtful and interesting!

The Nakano Thrift Shop: I will read nearly anything published by Europa Editions, and I do like to try out things that are meant to be charming rather than total downers every once in a while. 

Never Saw Me Coming: I am not big into thrillers, but this one seems like something I'll like...it's about a group of sociopathic students enrolled in a study at their college when one of their own is murdered, and they have to decide how much they can trust each other.

Everybody Behaves Badly: Hemingway's The Sun Also Rises is one of my least favorite books I've ever read, but I am intrigued by the real-life story that inspired it. 

Black Water Sister: This is part of my efforts to read more books set outside of the US/Europe, and is a fantasy novel set in Malaysia about a young woman possessed by a vengeful spirit.

Things We Didn't Talk About When I Was A Girl: This one is going to be heavy...it's a memoir a woman who was raped by a close friend as a teenager, and what that meant for her and her life and their continued friendship, and her meeting with him to talk about it years later. It's supposed to be very very good. 

Bad Girls Never Say Die: This is apparently inspired by The Outsiders, which is one of those classics I've never actually read, but anything that gets really into the friendships of teenage girls is something I want to try!

The Robber Barons: I have turned into a full History Dad in some ways, so this look at the era of the super rich "robber barons" sounds fascinating. 

The Final Girl Support Group: I really enjoyed Hendrix's previous book and think this looks just as entertaining!

The Fabric of Civilization: I've always had an interest in these sorts of "a look at history through the viewpoint of [thing]", and this one is about textiles and I am very curious.

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Top Ten Tuesday: Ten Most Recent Adds To My TBR

A Month In The Life: April 2021

 

This month has seen a major life change: we've moved! As much as we both loved living less than a ten minute walk from work (our work buildings are actually just across the street from each other), it was time to move on after six years where we'd been. Moving is always stressful, but in the middle of legislative session made this a very hectic month indeed!

In Books...

• The Girl on the Train: I feel like just about the last person in the world to have read this best-selling thriller, and while I can understand why it was popular (it's fast-paced and reasonably engaging), I have to admit it didn't wow me. I'm not sure she sold me on all of the plot twists, and there were some characterization issues as well. A great airplane/beach read but not much more than that.
• The Final Revival of Opal & Nev: This is similar to recent smash hit Daisy Jones & The Six in that it's told like an oral history, about a fictional musical act, but that's where the similarities end. This story is deeper and more poignant, about a white man from the UK and a black woman from Detroit who made a few rock'n'roll albums together in the 70s and became notorious when a riot broke out when they were performing. The pacing is inconsistent, but the format keeps it moving along and the story really grabbed me. 
• Swamplandia!: The people who love this book really love it, but I'd been a little hesitant on it because it just didn't seem like it was going to be for me. It was picked for my book club, which meant I got to confirm yet again that I've developed a pretty good sense of what I'm going to enjoy. The writing was vivid, but I just don't get anything out of the Southern Gothic style and I felt like the plot didn't really go anywhere.
• Endzone: This nonfiction book has a very specific audience...if you are someone who loves Michigan football, and has less-than-fond memories of Dave Brandon (guilty on both counts), this is a book that will fascinate you. Bacon strives to give a real, three-dimensional portrait of Brandon, and depict the process that led to the hiring of Jim Harbaugh as the head coach of the Michigan Wolverines. If you're not interested in those subjects, though, this will be a tough sell. 
• Fangirl: In a stressful moment, this very sweet YA novel about a girl in her first year of college struggling with social anxiety as she writes slash fanfic about her favorite series (centered on a boy wizard fighting evil) and finding first love went down very smooth. I'd not loved my first try at Rowell but found this one very enjoyable indeed. 

 

In Life...

• We bought a house: That's right, we didn't just move, we moved into our first house! We started looking in mid-February and put in two offers that didn't work out before we made it happen. Reno is a surprisingly bonkers real estate market! We love our new place and we're super excited to make it our home!
  
• I got my first dose of vaccine: My second dose is actually tomorrow, so in just about two weeks I will be about as immune as it is possible to be to COVID. I'll be able to go out to restaurants again, feel mostly comfortable traveling to do things like finally meet my own nephew...after over a year of this disease having changed our world, this is such a relief.
  

One Thing:

I am a dedicated Oscars-watcher, and have always wondered about the ill-fated year when James Franco and Anne Hathaway hosted together. It seemed like such an odd idea, and was so uncomfortable in execution, that I'd been very curious about the thought process. This behind-the-scenes look at it was interesting and entertaining, especially as the ceremony continues to struggle to find secure footing amid ever-declining ratings.

Gratuitous Pug Picture: 

 

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A Month In The Life: April 2021

Book 282: The Goldfinch

 

"The painting had made me feel less mortal, less ordinary. It was support and vindication; it was sustenance and sum. It was the keystone that had held the whole cathedral up. And it was awful to learn, by having it so suddenly vanish from under me, that all my adult life I'd been privately sustained by that great, hidden, savage joy: the conviction that my whole life was balanced atop a secret that might at any movement blow me apart."

Dates read: December 7-17, 2018

Rating: 8/10

Lists/awards: Pulitzer Prize

When I was little, my mom took me (and later, my sister) often to the Detroit Institute of Arts. When I was really young, we lived in the city, so it wasn't a long drive. But even when we moved out to the suburbs, we went fairly frequently. It's an amazing museum, commensurate with the sophistication of Detroit at the time it was established, and I've been lucky enough to see some truly wonderful art there, but the first painting I remember loving isn't one of the big name pieces (though it is one of the most popular). It's called "The Nut Gatherers", by William-Adolphe Bouguereau, and shows two little girls in a forest clearing. It's hard to put my finger on what I've always found so compelling about it, but it's my first memory of art that made me feel something.

While not every artwork is for everyone, great art can have a powerful effect on the viewer. The title work of Donna Tartt's The Goldfinch is a small painting by Carel Fabritius, showing the namesake bird perched on a feeder to which it is chained. Theo Decker first sees it on what is the worst day of his life. In trouble for getting into some adolescent mischief, he and his mother have been summoned to the principal's office. With time to kill before their meeting, they stop at the MoMA to see an exhibition that includes the title artwork. Theo likes the paintings, but is mostly busy paying attention to a lovely red-haired girl about his age, accompanied by a much older man. He's just spotted her again by the gift shop when his mother goes back to take one last look at the art...and then the bomb goes off. When Theo comes to, the old man he'd seen with the pretty redhead directs him to take The Goldfinch off the wall and keep it, and then dies.

Theo returns home, and when he learns of his mother's death, he's taken in by the upper-crust family of a school friend. He also forges a connection with Hobie, the business partner of the old man, who turns out to have been the great-uncle of Pippa, the red-headed girl he finally actually meets. Of course once Theo is finding some stability and solace, his father (who'd left the family and New York quite a while before) suddenly reappears, taking Theo back with him to his new home in Las Vegas. While there, the traumatized Theo meets fellow damaged teen Boris, who introduces him to drugs and alcohol. After another tragedy strikes, Theo takes back off to New York, going to Hobie for support, and eventually growing up to become his new partner in the antique shop he runs. But when a mysterious customer hints that he knows what happened to the long-missing painting, Theo finds himself drawn into a criminal underworld to try to extricate himself from his problem.

Tartt's The Secret History is an all-time favorite of mine. She's an assured and extremely talented writer, which is a good thing because this is a wildly ambitious novel. And she mostly pulls it off! There's a LOT going on here, but Tartt keeps her plot moving while she develops Theo, Boris, and Hobie into rich, deep characters. The references to classic literature, Great Expectations and Crime & Punishment particularly, are heady comparisons to invite but they feel earned, Tartt's writing quality really holds up to the canon. I was engrossed in the story she was telling me pretty much the whole time. And it's not a big thing, but as a transplant to Nevada myself (albeit the northern end), I thought she captured the feeling of the desert outskirts of Las Vegas beautifully, especially the ridiculous space of it when compared to a city as tightly compacted as New York. And I loved the way she wrote about Popper!

As good as it is, there are definitely things that don't quite work here. I thought the main female characters (Pippa and Kitsey) were mostly underwritten and sometimes felt contrived. Despite the occasional references to cell phones/modern technology, the book felt old-fashioned in a way that made those references feel shoehorned and anachronistic. It felt like the two "halves" of the book (Theo's childhood and then adulthood) were unbalanced...I thought some of the former could probably have been edited down to let the latter breathe a little more. And while Theo's issues with drugs were written in a way that made them very understandable, I've never found reading about people taking substances all that interesting and the book's continued engagement with it sometimes lost my attention. But all in all, these are fairly minor quibbles. The book is a very very good one, and I'd recommend it to anyone who doesn't mind a bit of a doorstoper!

One year ago, I was reading: Foundation

Two years ago, I was reading: Jackaby

Three years ago, I was reading: The Book of Unknown Americans

Four years ago, I was reading: A Heartbreaking Work of Staggering Genius

Five years ago, I was reading: The President's Club

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Book 282: The Goldfinch

Top Ten Tuesday: Books With Animals In Their Titles

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week's subject is meant to be animals in books, but since I just did a list like that about six months ago, I've decided to instead give you a list of ten books off of my TBR list with an animal in their title. There are a LOT of avian ones, so I've started with five of those and then gone on from there!

The Thorn Birds

One Flew Over the Cuckoo's Nest

Black Swan Green

Silver Sparrow

The Nightingale

Wolf in White Van

Archivist Wasp 

All The Pretty Horses

Sweet Lamb of Heaven

The Tigress of Forli

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Top Ten Tuesday: Books With Animals In Their Titles

Book 281: Interpreter of Maladies

"She was like that, excited and delighted by little things, crossing her fingers before any remotely unpredictable event, like tasting a new flavor of ice cream, or dropping a letter in a mailbox. It was a quality he did not understand. It made him feel stupid, as if the world contained hidden wonders he could not anticipate, or see. He looked at her face, which, it occurred to him, had not grown out of its girlhood, the eyes untroubled, the pleasing features unfirm, as if they still had to settle into some sort of permanent expression."

Dates read: December 4-7, 20187

Rating: 7/10

Lists/Awards: Pulitzer Prize

When you actually think about it, the United States is an enormous country. If you travel the distance equivalent of a few states in Europe, you're in an entirely different nation, with its own language and culture and customs. So it's no surprise that moving to a new region can feel, in a small way, like immigrating. When I moved from the Midwest to the Deep South for law school, I felt different from many of my classmates. We all spoke the same language and ostensibly had the same national norms, but life there was not like the life I'd known (and before you assume, I am not saying that to denigrate the South...people there were mostly lovely and there are few things that bother me more than people making cheap jokes at the expense of Southerners). And then moving again from the Midwest to the Mountain West, it was the same thing. I've been a Nevadan for nearly a decade now, but there are still little things that happen every so often that remind me that I'm not really from here.

Themes of immigration, of the struggle to understand a new culture, permeate Jhumpa Lahiri's Pulitzer Prize-winning collection of short stories, Interpreter of Maladies. It's not necessarily the central point of every story, though...while all of them do feature Indian people, there are two that are set in India among Indians, and a few of them have white people as main characters. The stories cover a variety of situations, from a young couple struggling to reconnect after a tragedy to second-generation Indians traveling to the country of their parents' birth. Loneliness and disconnection are everywhere, and while many of the stories are more-or-less sad, there are also moments of levity and humor and on the whole this is surprisingly not a bummer collection to read.

I struggle so hard with conveying my thoughts on short stories, y'all, unless they're of the "interlinked" variety. For my money, this is a strong but (as almost always) uneven collection of work. My favorite stories were the opener ("A Temporary Matter") and the closer ("The Third and Final Continent"). That first one, about a couple reconnecting during a utility blackout, was a total incredible gut-punch and had me psyched for more of the same. And while there are high moments (like "This Blessed House", about a couple who keep finding tacky Christian decor in their new home and the tension between the husband and wife about what to do with it, which I found incredibly funny, and the not-at-all-funny-but-heartwrenching "Mrs. Sen's", about a preteen being babysat by a desperately lonely young Indian housewife), nothing comes close again to the impact of the first story until the last one, which relates the tale of a young Indian man who has just moved to the US and his very elderly white landlady.

All of the stories are very technically accomplished...they're well written, the characters are vivid, the prose is insightful. As someone with no gift at all for creative writing, I admire short stories almost more than I do novels. To tell a whole story that emotionally resonates in a limited page count is something fiendishly difficult, and Lahiri does it beautifully. While some of the stories are more closely related than others (there's no crossover in any of them), they all feel like they belong, nothing feels shoehorned in. Even some of the weaker stories, like "Sexy", have moments that I find indelible and remain with me even after reading several more books since I finished this one. If you like short stories, I'd highly recommend this. If you like Lahiri's work generally, I'd also recommend it. There's a reason this one won the Pulitzer, y'all: it's very good.

One year ago, I was reading: Foundation

Two years ago, I was reading: The Lowland

Three years ago, I was reading: The Kingmaker's Daughter

Four years ago, I was reading: The Leavers

Five years ago, I was reading: Dune

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Book 281: Interpreter of Maladies

Top Ten Tuesday: Books With Brightly Colored Covers

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! Continuing with the colors-type theme of last week, this week we're looking at books with bright covers. And why not? It's springtime! Here are ten books on my TBR list with vivid covers!

 

Here Comes The Sun

Looking for Alibrandi

Homegoing 

The Star Side of Bird Hill

Where The Line Bleeds

Trainwreck

The Seven Husbands of Evelyn Hugo

Foreign Gods Inc

Home Fire

The Impossible Fairy Tale

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Top Ten Tuesday: Books With Brightly Colored Covers

Book 280: Once Upon A River

"For another hour they talked. Every detail of the day’s events was gone over, the facts were weighed and combined, quantities of surmising, eavesdropping, and supposition were stirred in for flavor, and a good sprinkling of rumor was added like yeast to make it rise."

Dates read: December 1-4, 2018

Rating: 9/10

What makes a good story? As a person who spends a lot of time writing about my reading, I think about this question a lot. It has to have compelling characters, and it has to have an interesting plot, and it has to be skillfully told. If one of those things doesn't quite come together, the experience of the story doesn't work as well as it could. But there will always be dissent on the best stories, because not everyone thinks the same things make them care about the characters, or get them involved in what's happening to those characters, or are pleasing from a audience perspective.

How to tell a good story is at the heart of Diane Setterfield's Once Upon A River. She sets her action in and around a tavern called The Swan, set along the Thames River in a generically old-timey version of England. This tavern, you see, is famous for its storytellers. One dark midwinter's night, when there are just a few people left at the tavern telling each other tales, there's a great commotion at the door. A man bursts in, bloodied and bruised, holding what at first seems to be a doll. Upon closer inspection, she's revealed to be a little girl, beautiful but dead. Her vitals are checked by Rita, a local medic of sorts, but there's no hope...until suddenly her heart begins to beat again, and her chest to rise and fall with breath. However, she does not respond to any questions about her provenance. 

Three families believe she could be theirs: Helena and Anthony Vaughn, a young couple whose little daughter was kidnapped and never recovered; Robert and Bess Armstrong, who believe the child could be the hidden offspring of their wayward son Robin; and strange, lonely Lily, who thinks the child could be her long-lost little sister. The girl silently accepts being initially placed with the Vaughns, and while Helena is ecstatic, convinced that this is her own child returned to her, Anthony remains skeptical. And Rita, who has long lived alone, finds herself drawn closer and closer to the girl she continues to monitor as she also helps the photographer who brought the girl into their lives recuperate. The tension between what all of these people want to believe and the truth keeps growing as the real history of the girl continues to elude everyone, until (of course) the stirring climax.

There's magical realism here, which isn't always my favorite, but it's applied with a light and nimble touch, serving the greater emotional truth of the story. And in a book focused on storytelling and the ways that a well-told story can entrance a reader, you're conscious of the emotional manipulation going on, but it's done so well and so satisfyingly that it doesn't matter. It feels very much like a fairy tale, with characters who manage to both be broad enough to be recognizable as archetypes and specific enough to get invested in. And there are callbacks to classic literature (Great Expectations comes particularly to mind) that add to the pleasure for the reader familiar with them, but aren't necessary to understanding or enjoying the book.

Setterfield's prose and plot work beautifully together to grab and keep attention. I honestly found it difficult to put down, but when I did and then picked it back up, it was easy to get reoriented and swept back up in it. If you're someone who's driven batty by a failure to get all plot points resolved, be warned that this book does wind up with some ambiguities. For my part, I thought it was refreshing to have a little mystery left. I really loved reading this and would highly recommend it to all audiences, it's a wonderful book that I think would have a lot of appeal to a wide variety of readers.

One year ago, I was reading: A Beginning at the End

Two years ago, I was reading: The Fever

Three years ago, I was reading: Sex at Dawn

Four years ago, I was reading: The Children of Henry VIII

Five years ago, I was reading: Dead Wake

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Book 280: Once Upon A River