Showing posts with label megan abbott. Show all posts
Showing posts with label megan abbott. Show all posts

Thursday, November 18, 2021

Book 310: The Fever

 

"As Deenie walked out, a coolness began to sink into her. The feeling that something was wrong with Lise, but the wrongness was large and without reference. She’d seen Lise with a hangover, with mono. She’d seen girlfriends throw up behind the loading dock after football games and faint in gym class, their bodies loaded with diet pills and cigarettes. She’d seen Gabby black out in the girls’ room after she gave blood. But those times never felt like this. Lying on the floor, her mouth open, tongue lolling, Lise hadn’t seemed like a girl at all."

Dates read: April 15-20, 2019

Rating: 6/10

Teenage girls can be sociopaths. With many of the same destructive urges as boys, but less access to sanctioned casual physical aggression, we end up with a capacity for true interpersonal viciousness. I know I did some totally ice cold mean girl stuff when I was in high school, and wound up on the receiving end of something similar as a college freshman. I cut off my best friend for years over a dust-up I can't even remember. I was awful to my own little sister. Those emotions, the bad ones just as much or more than the good, are so close the surface at that time of life. I look back on it now and feel a lot of regret, but I remember how right it all seemed at the time.

I might have had smoother skin and been much thinner, but I wouldn't go back to being a teenage girl and feeling all those feelings again for anything. It's such a confusing and heady place to be, and Megan Abbott's The Fever really digs into the murky territory that friendships at that age can turn into. Deenie Nash and Lise Daniels have been best friends since they were small, but things are starting to change. They've recently started hanging out with Gabby, who a parent would probably euphemistically describe as coming from "a troubled home". And Lise has grown from a cute little kid into a pretty teenager. This has not escaped notice by Deenie, or her older brother Eli (himself the subject of significant attention for his looks), or even her father Tom, a teacher at the high school. This is all putting strain on Deenie and Lise's friendship, and then one day during class, out of nowhere, Lise falls out of her chair and has a seizure.

This alone is troubling, but then Gabby has a seizure too. One girl having a mysterious medical episode in a small town is cause for concern. Two is cause for alarm, especially as the doctors can provide no answers. Deenie thinks it might have been caused by a lake, rumored to be unclean, that all the girls spent time in together shortly before the episodes began. She worries that she might be next. Parents want to protect their daughters, start looking for a culprit. Hysteria starts to build as yet another girl is stricken, much of it focusing on the HPV vaccinations that the school mandated for the girls. The entire Nash family find themselves drawn further and further into the mystery and when it's finally unraveled, it's a doozy.

I won't spoil anything, but the real villain of this book is teenage sexuality. Specifically, teenage girls having sex. That's what the real terror of the parents over the HPV vaccine is driven by, the idea that their daughters might be sexually active. But it's not just the parental fear. The book is steeped in sex in a very realistically teenage way: girls worrying about who's having it, who isn't, if the boy you like is sleeping with someone, if you think he might want to sleep with you, wanting to do it, not wanting to do it. For all I know, boys probably have the same kinds of thoughts, but having been a girl, I know that for all of the innocence that's attributed to female-shaped persons, they are often consumed with questions of sex. Like Deenie with Lise and Gabby, you measure yourself against your friends: who's the desirable one? Who's the innocent? Who's the slut?

Thematically, this is a potent work. Abbott beautifully captures the atmosphere of small town paranoia and the thrill and terror of being what Britney Spears would call not a girl, not yet a woman. But reading this book had its frustrations as well: the tension ratcheted up too high, too soon, leaving it nowhere to really go once things got really dramatic. The plot felt slightly underbaked and the pacing was kind of stop and start. And I thought having the dad, Tom, as a main character didn't really work. I appreciated the inclusion of Eli, the perspective on teenage boys and sex made the book as a whole feel more balanced, but Tom didn't add much for me. All together, I think this was an interesting, well-written novel and I'd recommend it if teenage psychological thriller is a genre you enjoy!

One year ago, I was reading: Plain Bad Heroines

Two years ago, I was reading: The Talented Mr. Ripley

Three years ago, I was reading: Uncle Tungsten

Four years ago, I was reading: The House of Mirth

Five years ago, I was reading: Eleanor of Aquitaine

Six years ago, I was reading: Oriental Mythology

Thursday, May 24, 2018

Book 130: Die A Little




"The words, their whispery, insinuating tones, their voices blending together- I can't tell them apart, they seem the same, one long, slithery tail whipping back and forth. My head shakes with the sounds, the hard urgency, and my growing anxiety at being somehow involved in this, even if by accident, by gesture."

Dates read: March 2-6, 2017

Rating: 6/10

Ah, the American Dream. A loving spouse, 2.5 kids, a 4-bedroom 3-bathroom home with a white picket fence, and a Golden Retriever named Lucky. Baseball games, road trips, and family hikes with a picnic lunch brought along. There have been no shortage of movies and TV shows, from Twin Peaks to American Beauty, that try to roll back the curtain and show the dysfunction that lurks behind even those who seem to have what we're told to want. But the genre most dedicated to showing the seamy underbelly of America and our dream is noir.

When we think of noir, we usually think of a morally compromised cop at the center of the story, a femme fatale, and often some kind of good girl set against her. And Megan Abbott's debut novel, Die A Little, has all of these elements. But it's not a straightforward noir. The driver of the action is the good girl, schoolteacher Lora King, and her cop brother Bill is the one that she has to save from the clutches of the femme fatale: his wife, Alice.

Bill and Lora are a closely bonded sibling pair: their parents died when they were teenagers, and they've been all the other could really count on ever since. But their cozy life in Los Angeles sharing a home and serving as each other's support system is thrown into turmoil when Bill meets Alice, a lovely and charming wardrobe assistant at a movie studio. He's smitten and they marry and set up their own housekeeping fairly quickly. Alice is the perfect little wife, energetically keeping the home and throwing delightful parties for Bill's police coworkers and their wives. She soon becomes employed at Laura's school teaching home ec. But there are cracks in her shiny surface: she has a best friend who's always coming by with fresh bruises and dark insinuations, and questions about Alice's claimed teaching certification start to pop up, and soon Lora is wondering who her brother is really married to.

What exactly is in Alice's past? Lora's concern for her brother leads her down a twisty, winding path that draws her into drugs, prostitution, and Hollywood clean-up men. The way the story unravels is compelling and enjoyable, but the weakness is the characters. While Alice is drawn vividly (the villain is oftentimes the most interesting character in morality tales), Bill is a cipher, and Lora's development is honestly not especially believable. A naive teacher manages to take on an investigation of sophisticated underworld players and put nary a foot wrong? It seems Lora "just knows" how to react in situations which would have been terrifyingly alien to someone of her background a little too often for my taste. But if you don't think about the little shortcuts that Abbott takes too hard and let yourself get drawn into its well-created atmosphere, you'll enjoy it. I've got several other of Abbott's works on my TBR, and this book has me intrigued to get into her catalog.

Tell me, blog friends...what's your favorite noir (book or movie)?

One year ago, I was reading: Migraine (review to come)

Two years ago, I was reading: Devil In The White City