Top Ten Tuesday: Covers That Made Want to Read/Buy the Book

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week is a pretty covers week...we're talking about books we decided to read because we liked the cover! I don't know that the cover has ever actually been the deciding factor for me, but I won't lie that the good ones catch my eye and make me curious about what they might be about...which sometimes results in a purchase/read! 

 

A Tale For The Time Being 

The Girl With The Dragon Tattoo

The Interestings

Sabriel

The Perks of Being a Wallflower

Angus, Thongs, and Full-Frontal Snogging

The Fountainhead

Stardust

The Luminaries

Shantaram

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Top Ten Tuesday: Covers That Made Want to Read/Buy the Book

Top Ten Tuesday: Best Antiheroes

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week is actually a villain freebie, so I decided to make a list of the best heroes-of-the-book that are actually the villains (which to be honest, usually means they're more interesting).

Becky Sharp (Vanity Fair): Becky is an unapologetic relentless social climber who thinks nothing of manipulating wealthy men to get their affection and is about a billion times more compelling than her sweet-natured friend Amelia.

Amy Dunne (Gone Girl): She and her husband Nick are both awful people, but honestly I'm always glad that Amy gets away with it.

Jaime Lannister (A Storm of Swords): Jaime was a fairly straightforward villain in the first two books, but when we start getting his perspective in the third one...he's still terrible but he's much more sympathetic.

Nick Naylor (Thank You For Smoking): The gleeful amorality with which this tobacco lobbyist/spokeman plies his trade is delightful.

Humbert Humbert (Lolita): He preys on a child and actively seeks to isolate her so he can continue to take advantage of her. But there's something captivating about him, a testament to Nabokov's skill as a writer.

Hannibal Lector (The Silence of the Lambs): He's suave and sophisticated and totally brilliant and eats people. Shame about the last.

Lisbeth Salander (The Girl With The Dragon Tattoo): Lisbeth is violent and doesn't care about most people. She's amazing and terrifying and enthralling.

Thomas Cromwell (Wolf Hall): He's basically the male version of Becky Sharp in his eagerness to throw morality aside to climb the ladder and then stay at the top, except he's real and since he's a dude he doesn't have to play the marriage game to get power.

Henry Winter (The Secret History): He's rich, obscenely smart, and dynamic, and it's easy to see him through Richard's enchanted eyes and forget that he killed a person accidentally and then killed his own friend when he thought he might have to face consequences for the first death.

Alex DeLarge (A Clockwork Orange): Alex so enjoys his life of rampaging around fulfilling every cruel urge he has that you almost feel a little sad when he's brainwashed into being unable to do it anymore. 

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Top Ten Tuesday: Best Antiheroes

Top Ten Tuesday: Popular Books that Lived Up to the Hype

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! If you've ever read a book everyone told you was really good, and thought "really?" when you finally finished it, you've been bitten by the hype bug. I think a lot of us have gotten a little gun-shy over the years about the next hyped release! So here are ten books that (at least for me, everyone has different tastes) actually lived up to high expectations!

Jane Eyre: Classics, especially "beloved" classics, have literally hundreds of years of hype. I thought this book was going to be a straightforward romance and was delighted to find a story about a young woman coming into her own that happened to end with marriage. It's really good, y'all!

War and Peace: I tell everyone I've read War and Peace both because it's a gigantic classic and half the point of reading it is to brag about it but ALSO because it's honestly an incredible book that people think is intimidating and likely serious and boring and it is long but it is wonderful.

The Girl with the Dragon Tattoo: I resisted this one for a long time because mystery/thriller is not a genre I've had particular luck with and I figured that its bestseller status confirmed that it was dumb. Joke's on me for being snobby, once I read it I raced to get the sequels because I looooved it.

The Amazing Adventures of Kavalier and Clay: I remember a list I read several years back that said this was the best book since the turn of the century, which made me raise my eyebrows because it's a book about dudes writing comic books. How good could it be? The answer is: phenomenal.

The Hunger Games: I don't read a ton of YA. I'm not trying to sound like I'm hating on it, but I usually find that I'm looking for books with more complex characters/plots and more elegant prose styling for my personally most enjoyable reading experiences. So when this series got a ton of buzz, I kind of wrote it off as not for me and then I raced through all three of them because they're so good.

Gone Girl: A missing wife. A husband with a secret. Sounds like something you pick up at the airport to read on the plane and immediately forget. But I found myself staying up late and reading while I ate because I didn't want to put it down and that Cool Girl breakdown is a masterpiece.

Americanah: I read this just recently and there have been years of continually low-level hype about it that made me almost sure it would inevitably disappoint. Nope, turns out it really is that good.

A Game of Thrones: I actually watched the first season of the show before I picked up the books. Though I love The Lord of the Rings, I'd tried reading some other fantasy epics before and they'd just never clicked, but these books are so damn good and I re-read one over the holidays every year and I just want the sixth one nowwwwwwww.

Me Talk Pretty One Day: People love David Sedaris, which had always made me a little wary. Humor can be tricky on the page, and I've often found myself reading things that are supposed to be funny and being completely flummoxed. But happily, this book kept me laughing and I've picked up several of his other works to read.

Big Little Lies: I literally just posted my review of this last week, so I won't belabor the point. I read it as the miniseries (which I STILL haven't watched) was airing and getting raves so I read it at Peak Hype and still really liked it.

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Top Ten Tuesday: Popular Books that Lived Up to the Hype

Top Ten Tuesday: Series I Have Given Up On

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week, we're looking to series we've tasted and decided not to go back for a second helping of. I don't do a ton of series reading, to be honest, but here are ten books that didn't do it well enough for me to pick up sequels.

Crazy Rich Asians: This series is usually pitched as a frothy delight, and for me, it was a little too frothy. I didn't care enough about any of the characters to feel compelled to continue to follow them.

The Hangman's Daughter: I'm convinced it must have been poor translation that made this book such a dud, because it's got a bunch of sequels and there was nothing I read that made me feel like even one was necessary.

The Paper Magician: This book was fine and made good airplane reading (engaging enough to keep you reading along, but not threatening to make you actually think) but it didn't have the spark that made me want to re-immerse myself in its world.

The Girl With The Dragon Tattoo: I read and loved the original trilogy, but I'm generally not into the idea of a new writer picking up where another left off...and nothing I've read about the quality of the continuation makes me feel any particular regret about this.

Divergent: I thought the first one was alright, but the second one was definitely not good. The final entry was widely panned, so I will be a-okay if I never read it.

The Giver: One of my favorite books as a teenager, I think it told such a good story that the idea of continuing on doesn't feel remotely necessary.

Eragon: I read and really liked the first one when it came out, and then when the second one came out I read like 100 pages and never picked it back up again and can't muster up an interest in getting back into it.

Dune: I know there are people who just can't get enough of this world since there are approximately a billion sequels, but the first one was more than enough for me.

Wicked: I've re-read this book probably a dozen times, I like it that much, and I've liked other work by Maguire, but the idea of reading the sequels has like zero appeal.

Uglies: I read the first and second one and enjoyed them both and then just lost interest entirely.

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Top Ten Tuesday: Series I Have Given Up On

Top Ten Tuesday: Most Original Books I've Read

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The Bookish! This week's topic is original books. When I think of books that are original, I think of books that are kind of the first of their kind or kicked off a trend. I don't tend to read a lot of books that fall into any sort of avant-garde category, so there are the books I've read that I think changed up the landscape for what came after them (and some that are just kind of offbeat).

Lord of the Rings: Forget just books, I think most high fantasy movies and video games owe a significant debt to J.R.R. Tolkien's masterwork. My husband loves playing the Elder Scrolls video games, and I couldn't believe he hadn't seen the LOTR movies beforehand because they have so much in common.

The Girl With The Dragon Tattoo: While the book itself is certainly an enjoyable twisty mystery, it's really here for the amazing character of Lisbeth Salander. Usually a slight female is the victim, but she turns all that on its head and is a brutal force to be reckoned with in her own right.

Gone Girl: Besides some genuinely shocking twists and a depiction of a compelling female sociopath (a rare creature indeed), this book propelled a boom in domestic thrillers. How many times have you seen something labeled "the next Gone Girl"? Exactly.

Life of Pi: I can't think of another book that tells a story quite like this one: a teenage boy trapped on a lifeboat with a variety of zoo animals, including a Bengal tiger, floating in the Pacific Ocean. Or was he trapped with any animals at all?

In Cold Blood: Truman Capote's incredible work basically created new genre: the non-fiction novel. Pretty darn original.

Bridget Jones' Diary: This hysterically funny book kicked off a boom in "chick lit" with flawed, quirky heroines. None of them were quite as much fun to spend time with as Bridget.

Moby-Dick: When I read this a few years ago on a classics binge, I was expecting something boring. But it's actually very modern, interspersing its revenge saga with details about whales and whaling that made it surprisingly enjoyable.

American Gods: Gaiman's incredible book manages to juggle multiple threads and characters along with an incredible main story about a clash between the gods people brought to the US from "the Old World" and the ones they've raised in the New. There's nothing quite like it that I've read.

A Wrinkle In Time: Maybe it's not nearly as special as I remember it, but to this day I don't know that I've ever come across as defiantly prickly a character as Meg Murray in a YA book...when I was a prickly girl myself, discovering Meg felt like a revelation.

Flowers for Algernon: I don't think I've ever read another book quite like this one, with its trajectory of genius found and lost. It's a heart-ripper.

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Top Ten Tuesday: Most Original Books I've Read

Top Ten Tuesday: Ten Characters You Would Want As Family Members

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The Bookish! This week's topic is a rewind...i.e go back in the archives and find a topic you didn't do the first time around and do it. I picked a way old topic, long before I started book blogging: ten characters I'd want as family members! I love character-driven writing and usually remember more about them than the plot for most books, so this topic spoke to me.



Fred and George Weasley (Harry Potter): I grew up with just one sibling, my sister (who I love and adore), but Fred and George seem like the perfect brothers. Constant pranking would thicken your skin but how could you stay mad when they're so delightful? I'm counting them as one because they're a matched pair.

Elizabeth Bennett (Pride and Prejudice): Her bright wit and lively personality would make her a great sister. Can you imagine all the fun marathon phone calls you could have with a sister like Lizzy just snarking on everyone?

Katniss Everdeen (The Hunger Games): On the flip side of the sister coin, Katniss is fiercely protective of her own and would make sure no one ever messed with you.

Lisbeth Salander (The Girl With The Dragon Tattoo): She doesn't seem like she makes much of an effort to be super pleasant to a lot of people, so I don't know that I'd want her in the immediate family, but as a cousin that you see maybe once or twice a year? And feel like you could maybe call on for backup in case of emergency? Perfect!

Pi Patel (Life of Pi): A dad who can tell a story like Pi Patel can tell a story would be an awesome dad indeed.

Tom Bombadil (The Fellowship of the Ring): Too irresponsible for a parent, but a whacky uncle who shows up every so often to be charming and lighthearted and sing songs and tell stories? Yes please.

Wilbur Larch (The Cider House Rules): Dr. Larch's fatherly love and empathy for orphaned Homer Wells is so touching, even when Homer spurns him and his work. I've already got a book dad, but how about a grandpa?

Bridget Jones (Bridget Jones' Diary): I'm giving myself all kinds of fictional siblings, because it wouldn't be hard to be the good/together sister next to Bridget, and she's really very good natured and would have the BEST stories.

Catlyn Stark (A Game of Thrones): She's flawed, like every single person in George R.R. Martin's world, but she's strong, loves her kids, and raised a bunch of fundamentally decent people. She reminds me of my actual mom, and I'd gladly join Sansa and Arya as one of her daughters!

The whole Murray clan (A Wrinkle In Time): I want to be a part of this entire educated, loving, crazy-adventure having family. Just all of them.

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Top Ten Tuesday: Ten Characters You Would Want As Family Members

Top Ten Tuesday: Ten Books Every Young Woman Should Read

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The Bookish! This week's topic is Ten Books That Every X Should Read. Nothing came to mind immediately, so I started paging through my Read books on Goodreads, and when I saw the first entry on this list, my topic came to me and it was hard to narrow it down to ten from there. I don't know where exactly I'd draw the lines around "young woman", maybe from about fourteen to your mid/late twenties (I don't know that I feel like I qualify as a young woman anymore at 30), but really, these books are resonant and meaningful at any age and for either gender. They just seem especially relevant for young women:

The Handmaid's Tale: This should absolutely be mandatory reading in high school for everyone. Women's reproductive freedom has been a hot topic for decades, but this book takes the consequences of those freedoms being abridged to a horrifying extension. I don't think it's possible to read this, especially as a woman, and not be aware of how important it is to ensure that we have control over our own bodies.

The Stepford Wives: This is a quick and haunting read. When Walter and Joanna move to Stepford, it seems like it's full of perfect happy families. But there's something...off...about the wives. It's a scathing statement/satire about what men really want. 

The Interestings: This novel explores long-lasting friendships, and the kind of competition that works its way into them. A group of young boys and girls at an artsy summer camp bond together and pledge to remain friends forever. It's not as easy as that, obviously, and the book explores how friendships, especially female friendships, grow and change over time and the damage that the self-induced pressure to be "special" can inflict on lives that turn out to be more or less ordinary.   

Persuasion: Love and relationships are a huge part of life in general, but especially when you're young and just figuring out how to handle other people's hearts and how you'd like them to handle your own. Anne Elliot spurns the marriage proposal of Frederick Wentworth, even though she loves him, because her friends and family convince her he's not good enough. She's in her late twenties when they meet again and their fortunes have shifted...he's now a hot prospect and she's staring down spinsterhood (boy am I am so glad we don't live in Ye Olden Days anymore). She still loves him, but fully expects that she has lost him, and the heartache this causes her until (spoiler, but not really because this is Jane Austen) they get back together makes you really think about how you treat other people. 

Anna Karenina: I know, this is a monster novel, clocking in at well over a thousand pages. And Russian literature, with its naming conventions alone, can be hard to get into. But this story, about a young mother who is married to a bureaucrat with whom she has a satisfactory relationship but does not love, and falls into a passionate affair with a young nobleman is AMAZING. Is Anna brave? Is she selfish? What's a better situation: a settled and content existence or a passionate and completely unstable love affair? There's the whole side plot about Kitty Shcherbatskaya that progresses independently and is also good in its own right, but it's more of a slow burn than Anna's story, which raises all kinds of interesting questions to think about.

The Awakening: This too is a book about a woman living a conventional family life with a husband she doesn't really love, who falls for another man and finds the prospect of a relationship with him infinitely more compelling than continuing her staid existence and a wife and mother. This explores similar themes to Anna Karenina, obviously, but it's not quite as good. It's also not nearly as long, though, so it might be a good starter before you tackle the beast.

The Girl With The Dragon Tattoo (series): As important about decisions about what love is and who to love are a central part of young womanhood, there's much MUCH more to your life than boys (or girls, or both). Lisbeth Salander kicks ass, takes names, looks how she wants to look, and has the sex life she wants to have. She has her own goals and pursues them and romantic relationships aren't something that's especially important to her. Being single or not making your love life a big serious deal is totally okay.

A Game of Thrones (series): The main female character in this series, Danaerys Targaryen, begins the books by being sold by her brother to a tribal warlord with whom she has no common language. But Dany and Khal Drogo's love story ends up being one of (if not the most) happiest relationships depicted in the series. When he dies, Dany turns her focus to learning how to rule a city. She has relationships, but they take lower priority than her personal goals. There's an interesting, complex model of any kind of woman you'd want to be over the course of these novels: Catelyn, Sansa, and Arya Stark, Brienne of Tarth, Cersei Lannister, Maergery Tyrell. You don't have to be just one thing. You're allowed to have internal contradictions. 

White Oleander: I don't know any woman who has a perfectly pleasant and smooth relationship with her mother. I don't think those exist. We love them but they drive us crazy: I think both sides would agree with that statement. The fraught relationship between Ingrid and Astrid is an exaggerated one, as are Astrid's relationships with her foster mothers, but coming to terms with your mother for who she is and recognizing and reconciling the parts of you that are like her are important (albeit difficult) parts of growing up.

The Devil Wears Prada: It's a lightweight, kind of fluffy read, remarkable to most because of its thinly-veiled look at Vogue editrix Anna Wintour. But there's also an important lesson in here about work/life balance. It's tempting to, like Andy Sachs, let everything else in your life fall by the wayside when you first get into the workplace, and if you've got big goals and are willing to let your personal life go for a bit while you chase them, go for it! But we all learn eventually that we can't be both a perfect employee and a human with a functional social life, and learning where to draw those lines is an important lesson. Just because you've got the job a thousand girls would kill for doesn't mean it's the right one for you. 

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Top Ten Tuesday: Ten Books Every Young Woman Should Read