Showing posts with label the color of water. Show all posts
Showing posts with label the color of water. Show all posts

Thursday, March 12, 2020

Book 224: The Color Of Water



"The question of race was like the power of the moon in my house. It's what made the river flow, the ocean swell, and the tide rise, but it was a silent power, intractable, indomitable, indisputable, and thus completely ignorable. Mommy kept us at a frantic living pace that left no time for the problem."

Dates read: April 11-14, 2018

Rating: 8/10

When we're little, parents are like gods. Their word is law. They take care of us, make sure we are clean and fed and loved. They have the magic to heal the ouchies. But eventually we find out that they're just people, after all. They have flaws, and scars, and demons of their own, and sometimes even when they do their best it doesn't work out. Realizing the humanity of your parents is a little bit scary and a little bit comforting.

When he was young, James McBride's mother, Ruth, wouldn't talk about her own life. He knew there was something different about her, but when he tried to figure out why he was the only black kid he knew with a white mom, she would brush him off by telling him she was light-skinned. Eventually, though, she relented and told him her story, of how a little girl born Jewish in Poland, the daughter of a rabbi, came to marry a black man, have eight kids, become a widow, marry another black man, have four more kids, and then become a widow again, leaving her with twelve children, all of whom graduated from college despite the family's poverty. McBride sets her story against his own recollections of his childhood in his memoir, The Color of Water.

They're both extraordinary stories: Ruth's for its sheer improbability, and James's for being the kind that you'd think would end up one way that actually ends another. James' story has plenty of struggle and heartbreak, but Ruth's is just heartbreaking. Everytime you think it can't get much worse for her, there's another twist and worse it gets. And somehow it ends well, with Ruth being the last in her family to finally get the chance to go to college and graduate and James as an acclaimed writer. It's a testament to resilience, of refusing to let your lowest moments define and drown you, of defying the voices that would dismiss you and discount your worth.

But it's also just very good writing. McBride's juxtaposition of his experience of his childhood against his mother's early life is balanced, neither story feels as though it is given the short shrift in favor of the other. He renders his mother's story in what feels like essentially her own words, not flinching from the difficult parts, of which there are many. Much of this is heavy stuff (interested potential readers should know there's sexual abuse, abortion, death, and racism herein), but while he doesn't sugar-coat it, neither does he dwell on it in the way that books about hard lives sometimes do. Ruth is a woman who came through a lot of terrible things and carved out happiness for herself in a world that did not want to give her any. And though he was raised with much more love and care than his mother was, McBride's own upbringing was still challenging and he managed to come through it, too.

Memoir can be a hit-and-miss category, for me. Not everyone's life story is all that dynamic or engaging for anyone outside of it, and even if it is, so much depends on the skill of the telling of it. But when executed well, as this is, it can be an enlightening window into a realm of experience outside of our own. I don't necessarily know that this is a book for every reader...there's a lot of darkness here, and while it does end well, there's not necessarily a sense of triumph and uplift to counterbalance it. For me, this is part of why this book works, because it doesn't seek to lionize its subjects or turn itself into a paint-by-numbers tale of conquering adversity, but for other readers that might be hard to deal with. But I do think it's a book that should be read, and I do recommend it, so if what I've written here intrigues you, definitely pick it up!

One year ago, I was reading: The Club

Two years ago, I was reading: Court Justice

Three years ago, I was reading: City of Thieves

Four years ago, I was reading: Sex with the Queen

Tuesday, July 10, 2018

Top Ten Tuesday: Best Books I’ve Read In 2018 (So Far)

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week, we're looking at our top ten reads of the year so far now that the year is a little over halfway over. I usually try to restrict my year-end list to year-of releases, but for this one (since I haven't even read ten 2018 releases yet), I'm just going to talk about the best things I've read this year without including the 2018 releases, only a couple of which would have made my list anyways.



Exit West: I chose this as a Book of the Month selection last year, but hadn't gotten around to reading it by the time my book club moderator chose it for us a couple months ago and holy smokes did I love it. Spare, lyrical, and powerful (and I didn't even hate the magical realism).

Good Omens: If you enjoy British humor, this tale of two angels (one fallen, one not) trying to deal with the pending rise of the Antichrist and associated end of the world will delight you. Both funny and clever.

Stiff: Mary Roach examines some of less conventional ways to deal with dead bodies with her trademark warm curiosity and it's fascinating.

The Girl With All The Gifts: I don't usually read heavily in the horror genre, so I was pleasantly surprised by how much I really did enjoy this twist on a zombie story.

Possession: I can already tell that I'm going to want to read this deeply-layered, parallel-storylined book again to appreciate more of its subtleties and richness.

An Untamed State: I'd never actually read one of Roxane Gay's books before this year, despite knowing I liked her Twitter presence and editorial pieces and the raw power of her talent and skill, despite an extremely difficult subject matter, blew me away.

Thank You For Smoking: I watched the (excellent) movie version of this in college, but now that I myself work in the general public affairs arena, the sharpness of the satire was something I appreciated even more.

Far From The Madding Crowd: I'll be honest, I thought Tess of the d'Urbervilles was a stronger work from Hardy. But this beautifully told tale of romantic misadventure in the countryside is still a very good book with an indelible heroine.

The Color of Water: I'm not always big into memoirs, but when they're done right they can be profoundly moving and this one about a mother told by her son is definitely done right.

Mansfield Park: Fanny Price isn't the lively, spunky heroine many of us expect from Jane Austen, but that doesn't mean Austen's sharp wit and keen observations are any less enjoyable.

Monday, April 30, 2018

A Month In The Life: April 2018



Another slow month, another bumper crop of books. This spring has been so hot-and-cold (literally!) with the weather, with a 70 degree day followed by snow and a high in the lower 40s, that it's seemed safer to just plan to stay in and get cozy. I've come to a place where I feel content mostly staying in and lazing around if there's nothing particularly compelling going on and if this is what being in your 30s means I am HERE for it.


In Books...
  • Freedom: Jonathan Franzen as a person is not my cup of tea, but damn the man can write. I will say, though, for all his skill in telling this story of a Midwestern family under strain, I thought the undercurrent of misanthropy generally, and misogyny in particular, detracted from the merits of the book. 
  • Sophia of Silicon Valley: This book is really bad, you guys. Billed as a The Devil Wears Prada for the tech scene, it's more than anything a fawning paean to Steve Jobs...or, as she unimaginatively dubs his stand-in, "Scott Kraft". It has no wit or charm, the titular heroine is grating (as is virtually everyone else in the book), and there's no dramatic tension in the plot. I hated it so much.
  • Outline: The prose is top-notch, but I was left unmoved by this book. It's structurally nontraditional (the recounting of ten conversations by the narrator, a recently divorced mother-of-two who goes to Athens to teach writing for a week) in a way that I could intellectually appreciate but didn't actually work for me.
  • Silent Spring: This book made such an impact when it was published that it led to the creation of the EPA, and after reading it, it's easy to understand why. Carson conveys alarming scientific information in a straightforward, engaged way that gets under your skin. It gets a bit repetitive after a while, but it's a powerful message.
  • The Color of Water: James McBride tells the story of his childhood, and the extraordinary woman who raised him...born in Poland as Ruchel Zylska, the daughter of an Orthodox rabbi became Ruth McBride Jordan, who married a black man and founded a church with him, had eight children, and then after his death married again and had another four, all of whom graduated from college despite the family's poverty. McBride parallels his own childhood with what he later came to know of his mother's with skill and affection. 
  • Sex at Dawn: An interesting re-examination of the conventional wisdom of evolutionary psychology as it relates to mating behavior...what if what we think we know about men being "designed" to want one faithful woman to ensure that they're raising only their own offspring, and women being "designed" to want a man who won't become emotionally involved with another woman who will pose a threat to the resources she needs to raise her children was wrong? It probably is, according to this thorough analysis, which raises powerful questions.
  • Chosen Country: Public lands are a huge issue in the West in a way I never realized until I moved out here. So I was interested in this book about the takeover of that wildlife refuge in Oregon a few years back by a reporter who was there, but honestly his best work on this has already been published and got expanded to book length by the addition of more information about him and his personal life than I was interested in. It's not bad, but it's not organized especially well or very comprehensive. 
  • The Kingmaker's Daughter: After four non-fiction reads in a row, this fourth entry in Philippa Gregory's The Cousin's War series hit the spot. Her brand of historical fiction tends to be heavier on the fiction than the history, but she's good at finding a compelling hook into the lives of royal women (this time, Anne Neville, daughter of the Earl of Warwick, who reigned as Richard III's queen) and I enjoy her work. 
  • Rosemary's Baby: I've seen the movie, and honestly now that I have I think maybe I prefer it to the book? The book isn't bad, it's a short, relatively light horror novel that plays on the fears related to pregnancy and powerfully demonstrates the insidious way women can be manipulated through isolation. But the movie is SO good that the book doesn't quite measure up.



In Life...
  • Not a lot! Did our taxes, went out to dinner with friends to see two of them off as they move to Seattle, did some planning for girls trip late this year, thought about some long weekends we'd like to take this year...this was a low-key kind of month.

One Thing:

I quite liked both of her first two albums, but Kacey Musgraves' latest release, Golden Hour, is truly wonderful. Her vocals and songwriting recall classic, traditional country a la Patsy Cline, but her production pushes the boundaries of the genre in a way that makes for absolutely magical listening. Even if you don't think you like "country music", I'd recommend turning it on and letting it play a little. It might surprise you.

Gratuitous Pug Photo:


Tuesday, March 20, 2018

Top Ten Tuesday: Books On My Spring TBR

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week, we're looking at our current TBR, so here are the next ten books I'm planning on reading this spring! As always, book club selections will be added in here, but here's what's on the horizon as I know it so far.



Possession: Booker Prize winner! This is a prize I've had a pretty good history with, so I'm gradually trying to get through all of them.

Of Human Bondage: Although my big bulk of classics reading happened a few years ago (before I started the blog), I've still got ones I'm working through. I'm expecting this to take a while because it's quite long.

Sophia of Silicon Valley: I'm hoping this tale of Bay Area workplace b.s. is more like The Devil Wears Prada (which I really liked) and less like The Nanny Diaries (which I didn't really care for), but I'll have to read it to see!

Freedom: Obligatory Franzen? Honestly, I thought The Corrections was really good and am interested in his follow up. It's gotten recommended to me a couple times too.

Silent Spring: As far as I've been told, this book made an actual difference when it came to public awareness of the dangers of pollution, so I've been wanting to read it.

The Color of Water: I've seen this pop up on a couple of lists about interesting writing about race in America, and I haven't read a lot from a bi-racial perspective, so this seemed like a solid choice.

Sex at Dawn: I really enjoy (and recommend!) a podcast called The Psychology of Attractiveness, which is about, well, attractiveness and mating behavior. This book deals with similar issues and it's been well-reviewed.

Chosen Country: Ever since I moved out west, I've found myself more interested in the kind of regional mindset that plays out here, which shouldn't come as a surprise. This is about the standoff at the wildlife refuge in Oregon a few years back, and the factors that played into it, so it's right up my alley.

The Kingmaker's Daughter: The next book in Phillipa Gregory's The Cousin's War series. After a weak initial volume, I've mostly enjoyed these. Nothing wrong with a little fluff.

Rosemary's Baby: Horror classic! I really liked The Stepford Wives, and I liked the movie, so I'm hoping this book works as well for me.