"They say 'pimpin' ain't easy'. Well, neither is slaveholdin'. Like children, dogs, dice, and overpromising politicians, and apparently prostitutes, slaves don't do what you tell them to do. And when your eighty-some-odd-year-old black thrall has maybe fifteen good minutes of work in him in a day and enjoys the shit out of being punished, you don't get many of the plantation perks you see in the movies either."
Dates read: February 6-9, 2018
Rating: 6/10
Lists/awards: Booker Prize
Rating books is an inherently subjective task. We try to fool ourselves into thinking that we're able to judge them based on objective quality, but we're ultimately judging them on scales that are both personal and ever-shifting. Tastes change during our lives, and where I see a lyrically-written character-driven masterpiece, someone else might see a purple-prose-laden never-goes-anywhere snore. Some books "feel" better than they are because you read them at the right moment, and others get downgraded because it just wasn't the best time. Which is why I always believe in rating and reviewing even the books that didn't work for me, because hating something you've only seen positive reactions to can make you feel like you're out on a limb and reading someone else saying they didn't like it either can be a relief.
So I was just talking last week about Thank You For Smoking and how the humor really hit home for me and I really liked it. I'm not sure if it was that I ended up reading two satires in a row, or that I didn't connect the same way with the subject at hand, or if it was just not my thing, but The Sellout just never quite clicked for me. This story opens up with our unnamed narrator (we get the last name, Me, but unless I missed something we never got a first name) watching his case go through oral argument at the Supreme Court. His case? He owns a slave and has re-segregated the school in his outlying Los Angeles community of Dickens, which has recently literally been taken off the map. Did I mention our protagonist is black?
We go back in time to get Me's whole story, from being homeschooled by his father, who uses him as a subject in various psychological/sociological experiments in the oddball agricultural community of Dickens, to his childhood friendship with Hominy, a cast member of the Little Rascals (who later pledges himself to Me as a slave after Me saves his life, much to Me's chagrin), to his long-running crush on his beautiful neighbor Marpessa, who drives a city bus, to his eventual decision to pretend there's an all-white charter magnet school going in across the street from the local school that's overwhelmingly attended by students of color, which winds up with him in front of the Supreme Court.
This was a book I read for my book club, and I was surprised to find I was one of the few for whom it didn't especially resonate. But as I listened to the others talk about how they found the satire refreshing for its bluntness and outrageous honesty about the state of race relations in America, I think maybe one of the reasons it fell a little flatter for me is that I'm on the younger side in that group and being more immersed in an internet culture where these issues are more on the forefront maybe made the punches land less hard, since they were more expected. In a world where Get Out was an enormously popular, Oscar-winning movie (and a good, interesting one that I personally really enjoyed), The Sellout's transgressive satire seems almost tame even though it's only a few years old.
To be sure, there are some brilliantly inspired moments (that opening Supreme Court scene, the Dum-Dum Intellectuals, the "sanitized" versions of racially-problematic novels), and if you're looking for a book that will be very up-front and sometimes uncomfortable (so many n-bombs!) about race in America, this is a very good book. Chattel slavery, and the institutionalized racism that persists to this day, is something that we're still struggling with. This book was written during the Obama era, when everyone was busily congratulating each other on living in a post-racial society, and the way it refuses to play along and pretend that was true feels eerily prescient given the election of Donald Trump. This book is smart, funny, and pulls zero punches (though those punches might not land quite as hard as they did even a few years ago, depending on what the dialogue you engage in looks like). It didn't quite ensnare me, but it's definitely worth reading.
One year ago, I was reading: Uncle Tungsten
Two years ago, I was reading: A Vast Conspiracy
Three years ago, I was reading: The Paper Magician
Four years ago, I was reading: Oriental Mythology
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