"When I open my eyes, I am still lying there. I realize, aghast, that not one person, not even my mother or my husband, has stirred to help me. Is that what being a queen will mean? I am alone, utterly alone, and will be so for the rest of my life. This realization is just too much to bear, and my composure breaks. Lying on the floor, I bury my head in my arms and fall to weeping piteously, great racking sobs tearing at my body. This is wrong, I know it! We must surely be damned to hell for all eternity, I along with them, even though I am forced to be their accomplice in this evil."
Dates read: March 30- April 4, 2017
Rating: 5/10
When I was in high school, I was on the mock trial team for three years. So when I became a lawyer, I went back and worked with them a bit. I was struck by how young they were, these 15 and 16 year olds. When I was that age, I was sure I was basically an adult, but coming from the perspective of actual adulthood, even less than a decade later, they were definitely not adults yet. But of course, cultural definitions of adulthood have shifted and changed over time. A couple hundred years ago, people of the same age would have been considered perfectly old enough to have jobs and be starting families.
Noble children in the late Middle Ages/early Renaissance, especially, were placed in a double bind: from the time they were old enough to appear in public, they were dressed as and expected to behave like tiny adults, but they were simultaneously completely at the mercy of their parents. Historian Alison Weir's first fictional novel, Innocent Traitor, illustrates the way this played out, by looking at the life of Lady Jane Grey. Known as the "Nine-Day Queen" when she's remembered at all, she was briefly crowned after the death of Edward VI, the son of Henry VIII. She was deposed quickly by Mary I and less than a year later, she was executed.
Weir tells Jane's story from several perspectives: her mother's, her cousins', her governess', and of course, her own, throughout her 19 year life. Weir depicts Jane's parents, Henry and Frances (herself the niece of King Henry VIII), as grasping social climbers deeply disappointed in Jane's gender. The couple are Protestants who raise their daughter (and later, her younger sisters) to follow in their religious footsteps. They are harsh parents, even by the standards of their time, but Jane herself grows into a quiet, obedient, and devout teenager (she is given a top-quality education and has the love of a devoted caretaker, Mrs. Ellen, which certainly helps). While it is hoped that she'll be considered a suitable bride for her cousin Edward VI, she is eventually married off to Guildford Dudley to form a political alliance. When the king finally succumbs to tuberculosis, her family, as well as her husband's and their allies, proclaim her queen on the grounds that Edward's sisters are bastards and therefore ineligible to inherit...and also to ensure that a Protestant monarch takes the throne rather than the rabidly Catholic Mary. When Mary musters troops, Jane is rapidly deposed and imprisoned. While Mary is initially inclined to show mercy, she eventually realizes that Jane makes too attractive a figurehead for Protestant foes and has her beheaded.
I love Alison Weir's histories...she has a light, lively touch with her subjects, creating a real sense of the person behind the recorded deeds. So I had high hopes for her fictional debut. But those hopes were disappointed. It's honestly not very good. Her characters are, for the most part, very one-dimensional: Jane and Mrs. Ellen are good, her parents and husband are bad. I found it jarringly anachronistic that Jane's wedding night rape is conceived as such by her...is "rape" even a word that would have been in common use then for someone of Jane's class? Especially to describe nonconsensual-but-within-wedlock sex (which was perfectly legal in many states in the US well into the 1900s)? Weir does not handle her multiple perspectives with particular skill and it often feels like just when you're getting into the groove of one character that it shifts to another.
Weir clearly feels a great deal of sympathy for her subject, and paints a picture of a life that seems cruelly harsh to a modern eye: abused and manipulated and finally killed. But from my own reading, it seems different more in degree than in kind for noble childhoods of the era: distant, uninvolved parents who expected their offspring to be seen and not heard and made plans for their future in order to create or cement alliances with other families. Jane's short life is certainly a tragedy and her father's continued scheming around her even after her imprisonment, without seeming consideration about putting her life in very real danger, certainly evinced an unusually high level of disregard for his child. But the book creates no real tension or interest in the interplay between characters...it's just waiting for the historical events to play out as you know they will. I have a few of her later novels still on my TBR because I think some of these issues are simply mistakes by a rookie novelist, but I can't affirmatively recommend this book.
One year ago, I was reading: The Amazing Adventures of Kavalier & Clay
Two years ago, I was reading: The Shipping News
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