Showing posts with label the creation of anne boleyn. Show all posts
Showing posts with label the creation of anne boleyn. Show all posts

Tuesday, August 15, 2017

Top Ten Tuesday: Recommendations For Feminists

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The Bookish! I am so excited that Top Ten Tuesday is back, y'all! Putting these lists together is honestly so fun, both to do for my own blog and reading what other people have come up with. Anyways, today's topic is recommendations for a particular group of people, and I thought I'd put together some recommendations for feminists. I've tried to mix it up with both fiction and nonfiction so no matter what you read, you can find something here.


Bossypants: Tina Fey's book is one of the few comedian-writes-collection-of-amusing-essays that I thought actually lived up to the hype. It's not 100% on, but it's funny and insightful and a must-read for being an ambitious female in the world.

Too Fat Too Slutty Too Loud: This recently-published collection of essays from Buzzfeed's peerless Anne Helen Petersen profiles the ways in which famous women exemplify culture prohibitions against being too much, and how they've escaped (or in some cases, haven't) from the consequences for violation. Anyone interested in both pop culture and feminism should get their paws on this.

The Creation of Anne Boleyn: She was Queen of England for only about 1000 days hundreds of years ago but she's been a subject of fascination ever since. Susan Bordo chronicles the ways that the perception of this long-ago royal have changed over time, reflecting overall shifts in how women are treated.

Under The Banner of Heaven: I considered adding Reading Lolita in Tehran instead of this book here, in the "religious fundamentalism leading to oppression of women" slot. But I think it's easy for white people in the Western world to look at a Muslim country in the Middle East and point the finger at them for oppressing women. It happens right here in the US, too. This is the best Krakauer, for my money.

My Horizontal Life: Sure, it's easy to respect "good" women, like Tina Fey, who for all her genuine feminist bona fides is still quite traditional in many ways. It's more challenging to look at a woman like Chelsea Handler, who is perceived as having slept her way into her E! show that she did before her current Netflix gig. But feminism includes women who don't necessarily do things the way other women approve of, and Handler's stories about being drunk and on drugs and sleeping with who she wanted when she wanted are pretty funny in her first memoir.

The Handmaid's Tale: This feminist classic has been recently revitalized by the Hulu production of it, and none too soon because it's just as relevant as when it was first published. Most chilling is the way that not only men control women, but the ways in which other women's cooperation is necessary and so easily given.

Americanah: Being a woman in the world is one thing, but we can't forget the necessity of considering how other identities intersect with femaleness. Chimamanda Ngozi Adichie's novel focuses on an African female experience, both in Africa and America, and her protagonist Ifemelu is as rich and complicated and ambiguous a character as any ever written, regardless of gender.

So Big: A recent book club exploration of a Willa Cather novel reminded me of how much I liked this book, which won Edna Ferber a Pulitzer Prize. She crafts a story of a woman who faces long odds and disappointments and changes in fate with good humor and cheer, without being saccharine about it, and it's a testament to women's perseverance.

The Group: For better or worse, many women I know are as much defined by their friendships as they are by their romantic relationships. It's not really a progressive view of femaleness in that the women involved are often catty, but it's worth reminding ourselves that the struggles we face (work or family life, breast or bottle) are ones that have been around for generations.

Wild Magic: For a younger reader wanting to explore female-driven adventures, any Tamora Pierce series will do. But for me, the series kicked off by this book was my favorite...I've always loved animals, so Daine's brand of nature-based power was right up my alley.

Tuesday, January 17, 2017

Top Ten Tuesday: Underrated/Hidden Gem Books I've Read In The Past Year Or So

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The Bookish! This week, we're writing about books that we enjoyed reading in the past year-ish that never really got the mainstream love we we think they deserve. 



Life Itself: Roger Ebert was a portly movie critic who spent most of his life in the Midwest. But the reason his reviews became so popular is his real skill as a writer, and his application of that talent to the story of his own life yielded a really fantastic book. He wrote it as he was dying from cancer, and his reflections just tugged my heartstrings constantly. The early part of the book recounts a lot of family history and is on the boring side, but the rest of it is really wonderful.

The Last One: I've written about this one before, it was actually one of my best books of the year last year. This story of a woman in the wilderness on a Survivor-on-budget-steroids show that doesn't know that there's been a pandemic and is making her way through a devastated world is tense and thrilling and I could hardly put it down.

The Lords of Discipline: I'd heard of Conroy's Prince of Tides and The Great Santini before, but this was the one that went on Kindle sale first, so I picked it up. I wasn't expecting to love it, because military-themed stories don't tend to do it for me, but I was sucked in and completely loved it and can't wait to read everything else he's ever written.

I Am Livia: The Amazon publishing imprints haven't been great, honestly, but this book introduced me to a woman with a fascinating life: Livia Drusilla, wife of Octavian. I'm always down for a story about a badass woman, and even though there's a silly "instalove" component, this is a very solid historical fiction.

Enchanted Islands: This book about a lifelong friendship between two women (and how one of them found herself on a secret mission in the Galapagos when she was in her 40s) wasn't splashy, but was quietly powerful and very well-written.

Dead Wake: Most people think about Erik Larson's Devil In The White City when they think about his work, but I actually found Dead Wake better. I loved the shifting perspectives and found myself rooting for the ship to make it to the other side even though I knew going in that it sank.

Sex With The Queen: We all enjoy flipping through the occasional tabloid in the checkout line, right? This is basically a tabloid for European royalty over the ages and it's not super high quality literature but it's super fun to read.

The Big Rewind: One of my favorite reads of 2016, this is a fresh and fun murder mystery/romantic comedy/ode to the power of a good mixtape was a delight.

Mr. Splitfoot: I didn't rate this super highly when I first read it, but it's one of the books that I found myself unable to forget about, while things I thought more highly of initially faded. Really sticks with you.

The Creation of Anne Boleyn: Anne Boleyn has inspired novelists and playwrights and screenwriters for a long time, and Susan Bordo's look at what we actually know about her and the various myths that have surrounded her (and how they've changed over time) is incredibly interesting reading.

Thursday, February 25, 2016

Book 13: The Creation of Anne Boleyn




"Why is Anne Boleyn so fascinating? Maybe we don't have to go any further than the obvious: The story of her rise and fall is an elementally satisfying- and scriptwise, not very different from- a Lifetime movie: a long-suffering, postmenopausal wife; an unfaithful husband and a clandestine affair with a younger, sexier woman; a moment of glory for the mistress; then lust turned to loathing, plotting, and murder as the cycle comes full circle."

Dates read: December 29, 2015- January 2, 2016

Rating: 9/10

Divorced, beheaded, died; divorced, beheaded, survived. It's how you remember what became of the six wives of Henry XIII. That there's even a way to help you remember the love life of a monarch whose reign is 500 years in the past speaks to the enduring cultural relevancy of Henry and his wives. And if you were to ask someone off the street to name you just one of them, I'd put my money on it that they'd name Anne Boleyn. Witch, feminist before her time, seductress, all of the above and more....a lot of people have a lot of opinions about Anne, who she was, and what she did. But who was the "real" Anne Boleyn, and why do we still care?

Susan Bordo is a popular culture/gender studies academic, and brings a welcome level of inquiry, research, and critical thought to her examination of the legends that surround Anne Boleyn. Nearly all of Anne's personal correspondence and even official portraiture were destroyed by Henry in the aftermath of her death, so we have to rely almost entirely on secondhand accounts (many of them hostile, like Spanish ambassador Eustace Chapuys) to know much of anything about her at all. This has created a narrative with substantial gaps, which can only be filled by conjecture.

The book begins with a walkthrough of what we do and can know with relative certainty about Anne (what she probably looked like, her upbringing in the French court, her move to England and courtship with Henry, her proto-Protestant religious beliefs, her short reign, and the circumstances of her death). It then examines the myths that have sprung up around her, and how they've varied over time. Bordo's research pops up interesting facts, like that the "Anne as headstrong teenager" strain of Anne's mythology only pops up after World War 2, when the concept of teenager-hood was just becoming a thing and audiences were primed by wartime media to be ready for plucky heroines.

Bordo is displeased with the popular historical fiction surrounding Anne, and she rakes it over the coals pretty hard. Phillipa Gregory gets an especially high dose of her ire, to an extent which I actually feel is unfair. Gregory has never pretended to be writing scholarly, academic history, and while there are definitely people who probably look at her books and think they're reading something that's been heavily researched for historical accuracy, I have to imagine that most of us understand that she's using outlines of the actual people who were her characters and taking pretty heavy dramatic license with the rest. It's not Gregory's "fault", per se, that her book became enormously popular and is probably most people's go-to reference for Anne Boleyn. Some of her statements imply that she does hold herself out as somewhat of an authority in the era, but at the end of the day, there's a reason her books are filed in the fiction section. Then again, I own and enjoy many of Gregory's books, so maybe I'm just defensive.

At the end of the day, if you have an interest in Anne Boleyn that was sparked by the dreaded The Other Boleyn Girl, or Natalie Dormer's incredible portrayal on The Tudors, or Wolf Hall, or anything at all, really, you'll enjoy this book. It's accessible, well-researched, and put together in a way that makes for a really enjoyable reading experience!

Tell me, blog friends...do you have a favorite historical figure to read about?

Note: Review cross-posted at Cannonball Read