Showing posts with label anne boleyn. Show all posts
Showing posts with label anne boleyn. Show all posts

Thursday, March 9, 2017

Book 67: The Six Wives of Henry VIII



"Thus we will see that Katherine of Aragon was a staunch but misguided woman of principle; Anne Boleyn an ambitious adventuress with a penchant for vengeance; Jane Seymour a strong-minded matriarch in the making; Anne of Cleves a good-humored woman who jumped at the chance of independence; Katherine Howard an empty-headed wanton; and Katherine Parr a godly matron who was nevertheless all too human when it came to a handsome rogue."

Dates read: July 2-July 7, 2016

Rating: 7/10

When we were growing up, it was always my little sister who was the Anglophile. Every time we stopped at a bookstore, she had to get a book about England. She even ended up married to a British guy (completely coincidentally, but I'm sure that adorable accent didn't hinder his entry into her good graces). But it must be airborne, because she got me hooked into books about England too. I've written before about my fondness for the Tudor period, but while that might have been the first instance of it showing up on this blog, it certainly won't be the last.

Even with being a Tudor nerd, when I pulled Alison Weir's The Six Wives of Henry VIII off my shelf to read, I figured I was in for a long haul. Nearly 600 pages of nonfiction tends to be a lot to handle, no matter how interesting you find the subject. But as you can see, I actually read it pretty quickly! Which is attributable in large part to how good Weir's writing is. Although she's presenting facts, she doesn't forget that her job as a writer is to tell a story for the reader. The story of Henry the Eighth and his wives is an inherently juicy one, and she tells it well.

Like many stories about Henry and his wives, the first two (Katherine of Aragon and Anne Boleyn) dominate the narrative. In the case of books based solidly in historical fact, I have to imagine that part of that is simply because there's the most information there about these two women. As royalty in her own right, Katherine's life would have been much more documented than a common woman. And since Henry and Anne's affair lasted seven years before their marriage, there was a lot of time for things to be written about her by the types of people whose correspondence would have been preserved. Jane Seymour, on the other hand, had a very short courtship with Henry, and indeed a rather short life once they married, leaving much less time for a record to be developed. Weir does challenge the prevailing wisdom that regards Jane as a mild-mannered pawn used by her relatives to secure influence. She would have had to have a healthy level of her own ambition to pull it off and there's no reason to believe she didn't.

At the end of the day, this is a history, so if you're looking for deeper cultural analysis along the lines of The Creation of Anne Boleyn, you're barking up the wrong tree. It's obviously very thoroughly researched and told with considerable narrative skill, but there's little in the way of "new" information if you're fairly well-versed in the subject. I did learn new things, like that Henry's outreach to the Duchy of Cleves indicated interest in either of the two duchesses...Anne, who became his wife for a short while, or her sister Amelia. I also learned more about the lives of Henry's sisters...not a lot, because they weren't the subject of the book, but enough to intrigue me and make me want to learn more someday. I'd recommend this book to a pretty wide group...people interested in the time/place/people will get the most out of it, but its size shouldn't intimidate readers without that kind of pre-existing grounding in the subject.

Tell me, blog friends...what interests have you picked up from family and friends?

One year ago, I was reading: American Gods

Thursday, February 25, 2016

Book 13: The Creation of Anne Boleyn




"Why is Anne Boleyn so fascinating? Maybe we don't have to go any further than the obvious: The story of her rise and fall is an elementally satisfying- and scriptwise, not very different from- a Lifetime movie: a long-suffering, postmenopausal wife; an unfaithful husband and a clandestine affair with a younger, sexier woman; a moment of glory for the mistress; then lust turned to loathing, plotting, and murder as the cycle comes full circle."

Dates read: December 29, 2015- January 2, 2016

Rating: 9/10

Divorced, beheaded, died; divorced, beheaded, survived. It's how you remember what became of the six wives of Henry XIII. That there's even a way to help you remember the love life of a monarch whose reign is 500 years in the past speaks to the enduring cultural relevancy of Henry and his wives. And if you were to ask someone off the street to name you just one of them, I'd put my money on it that they'd name Anne Boleyn. Witch, feminist before her time, seductress, all of the above and more....a lot of people have a lot of opinions about Anne, who she was, and what she did. But who was the "real" Anne Boleyn, and why do we still care?

Susan Bordo is a popular culture/gender studies academic, and brings a welcome level of inquiry, research, and critical thought to her examination of the legends that surround Anne Boleyn. Nearly all of Anne's personal correspondence and even official portraiture were destroyed by Henry in the aftermath of her death, so we have to rely almost entirely on secondhand accounts (many of them hostile, like Spanish ambassador Eustace Chapuys) to know much of anything about her at all. This has created a narrative with substantial gaps, which can only be filled by conjecture.

The book begins with a walkthrough of what we do and can know with relative certainty about Anne (what she probably looked like, her upbringing in the French court, her move to England and courtship with Henry, her proto-Protestant religious beliefs, her short reign, and the circumstances of her death). It then examines the myths that have sprung up around her, and how they've varied over time. Bordo's research pops up interesting facts, like that the "Anne as headstrong teenager" strain of Anne's mythology only pops up after World War 2, when the concept of teenager-hood was just becoming a thing and audiences were primed by wartime media to be ready for plucky heroines.

Bordo is displeased with the popular historical fiction surrounding Anne, and she rakes it over the coals pretty hard. Phillipa Gregory gets an especially high dose of her ire, to an extent which I actually feel is unfair. Gregory has never pretended to be writing scholarly, academic history, and while there are definitely people who probably look at her books and think they're reading something that's been heavily researched for historical accuracy, I have to imagine that most of us understand that she's using outlines of the actual people who were her characters and taking pretty heavy dramatic license with the rest. It's not Gregory's "fault", per se, that her book became enormously popular and is probably most people's go-to reference for Anne Boleyn. Some of her statements imply that she does hold herself out as somewhat of an authority in the era, but at the end of the day, there's a reason her books are filed in the fiction section. Then again, I own and enjoy many of Gregory's books, so maybe I'm just defensive.

At the end of the day, if you have an interest in Anne Boleyn that was sparked by the dreaded The Other Boleyn Girl, or Natalie Dormer's incredible portrayal on The Tudors, or Wolf Hall, or anything at all, really, you'll enjoy this book. It's accessible, well-researched, and put together in a way that makes for a really enjoyable reading experience!

Tell me, blog friends...do you have a favorite historical figure to read about?

Note: Review cross-posted at Cannonball Read