Showing posts with label life after life. Show all posts
Showing posts with label life after life. Show all posts

Thursday, October 22, 2020

Book 256: Life After Life


"And sometimes, too, she knew what someone was about to say before they said it or what mundane incident was about to occur–if a dish was to be dropped or an apple thrown through a glasshouse, as if these things had happened many times before. Words and phrases echoed themselves, strangers seemed like old acquaintances."

Dates read: August 19-25, 2018

Rating: 8/10

I have a small scar right about a half inch above my left eye. When I was a kid, I was jumping on the bed and my mom told me to stop. I jumped off entirely, and the scar is where the corner of the open dresser drawer I didn't keep track of went into my face. Just a tiny difference in my jump and I would have lost the eye. I wonder what would have changed in my life if I had. Or if I'd made any number of different choices before I went to college. Or while I was in college! If I'd gone to a different law school. If I'd taken a year off between undergrad and law school. If I'd gone to grad school for psychology instead. If, if, if. The fact is that there's no point in torturing myself with hypotheticals for things that have gone "wrong". Things are the way they are and all I can do is try to make the best choices I can from here.

What if, though, things could be changed? If you could go back, live again, make different choices? In Kate Atkinson's Life After Life, on a snowy night in England in 1910, Ursula Todd is born and immediately dies, choked by her umbilical cord, because neither the doctor or midwife made it on time. Then, on the same snowy night, she's born again, but this time the doctor makes it and the cord is cut and she lives. Until she's three, when she follows her older sister Pamela into the ocean and is swept away. Then she's born again with the doctor there, and manages to survive the family trip to the seaside but perishes at age five when her big brother Maurice throws her toy onto the roof and she tries to scramble after it but falls. And so on and so forth. She doesn't remember her previous lives, per se, but has strong feelings about crucial events that drive her to new actions in the face of them.

Where the book spends the bulk of its time is Ursula's various World War II experiences. In a few she dies when a bomb falls on her apartment building. In a few she's working on the rescue/cleanup squad. And in at least one, she's living in Germany. The fates of her family members, too, change in each go-round. What happens to Teddy, her sensitive, thoughtful younger brother who becomes a pilot, has a major impact on how things go for the family. Some things, though, never change: her deeply practical and stalwart sister Pamela always marries and has children and spends the war at the family home, and belligerent brother Maurice is never much liked by his parents or siblings and always rises to positions of authority.

Anyone who's ever wondered how things might have turned out if they had a chance to do it all over again (i.e. pretty much everyone) will find this an intriguing concept. And it allows Atkinson freedom to really explore the ways in which seemingly-small moments can resonate enormously in our lives, which she does with clear, assured prose that feels almost old-fashioned or "classic" in tone. Refreshingly, the most important choices are mostly unrelated to her romantic relationships with men! As a lady person, I'm used to books (and the world in general, honestly) treating marriage and childbearing as the central dramas of women's lives. Who she loves, though, is much less important to Ursula's story than her relationships with her siblings, particularly Pamela and Teddy, who are both wonderfully likable characters and the kind of siblings everyone wants to have.

What held back this novel from greatness for me was that with so many lives cataloged, I found myself sometimes more interested in how she would die this time than how that life actually played out, as well as a portion near the end that bugged a little bit because it made me question the underlying mechanics of it all. To be honest, though, these quibbles are a little on the nitpicky side and I wonder if they would have occurred to me if I'd read this book completely free from expectations. It's a very good book, well-written and enjoyable. But when I read it after hearing about how good it was for years, I was expecting something mind-blowing and it didn't get there, for me. Like I said, though, it's still something I liked quite a bit and I'd recommend it to all readers!

One year ago, I was reading: The Line of Beauty

Two years ago, I was reading: Detroit

Three years ago, I was reading: White Fur

Four years ago, I was reading: The Executioner's Song

Five years ago, I was reading: Through the Language Glass

Tuesday, May 14, 2019

Top Ten Tuesday: Good Books That Would Not Make Good Movies

Top Ten Tuesday is a weekly linkup of book bloggers hosted by That Artsy Reader Girl! This week is a page to screen freebie. I'm not one of those people who think that a movie made of a book is necessarily going to be bad...sometimes, I think the movie even manages to be better! That being said, some books, even ones I love, I cringe to think about as a movie. Here are ten books that I think should stay on the page.



Station Eleven: The time shifts, the interiority of the story...it's hard to imagine a way this turns out well.

A Tale for the Time Being: The delicate paralleling of the narratives just seems like it would be really tricky to actually make work on-screen.

Middlesex: There's just so much story here...not to mention material that would need an extremely delicate hand to render with emotional honesty and not for shock value.

Lincoln in the Bardo: This book is intensely weird, in a way that's just inherently unfilmable.

The Bear and the Nightingale: Vasya is a heroine for the ages and if it was done correctly, a movie could be just as magical as the book. But I have a hard time believing that the chyerti wouldn't get cuted up and the heart of it dumbed down.

The Butcher's Daughter: I loved this book about a novice nun living through the religious turmoil of Henry VIII's reign, but it's way too much in her head. Nothing "happens".

The Blind Assassin: There are time shifts, unreliable narrators, and a lovely story-within-a-story that I can't imagine coming off as anything but cheesy if it were filmed.

Prep: Lee is so very inside her own head, the book is so rooted in the small-in-scope-but-large-in-impact agonies of adolescence, that rendering it so it could be visual seems impossible.

The Amazing Adventures of Kavalier and Clay: This has the sweep and scope of an epic and I don't know that I think the parts of the story which integrate the comic, so important to the power of it, could be executed well.

Life After Life: There are so many lives here, some of which change only in small details and still end the same way, that I just don't think this story could be told anywhere but on the page.

Friday, August 31, 2018

A Month In The Life: August 2018



The end of August always makes me think about back-to-school time. Growing up in Michigan, I never went back before Labor Day...but here in Reno, they've already been back for nearly a month! And anyways, it still feels like summer since August temperatures were mostly stuck in the 90s. A record-setting 56 days in a row this summer above 90, actually, which honestly was pretty gross. But it's finally trending downward a bit and I am READY for sweater-and-boots season.


In Books...

  • Shantaram: There are two kinds of books that climb to 900+ pages: actual epics or overstuffed vanity projects. While this giant novel is not without merit, it's definitely the latter rather than the former. Based on the author's own experiences, this book is about an Australian man who escapes from prison and flees to India, where he gets involved with a wide variety of people, from a kind-hearted tourist guide to a prominent crime lord. It could have lost 300 pages through just editing out the purple prose and pseudo-philosophical rambling and would have been better for it. 
  • Less: Book club picks have been inconsistent for me, but this one I really enjoyed. I would not have thought that the concerns of an aging gay writer would particularly speak to me, but this tale about an only somewhat successful novelist staring down both his 50th birthday and his longtime sort-of-boyfriend's impending wedding to another man who decides the only way to deal is to accept a bunch of ignored invitations to make a trip around the globe was funny and touching and sweet. 
  • The Informant: The so-strange-it-has-to-be-true story of a corporate executive who exposes an international, multimillion dollar price fixing scandal...all while embezzling millions of dollars from the company and pathologically lying every time nearly every time he opens his mouth. They made a movie out of this, a comedy even (which I haven't seen), but on the page it's very dry and flat and I never really got into it.
  • The Butcher's Daughter: I'd grabbed a review copy of this on a whim and was so glad I did! This historical fiction tells the story of Agnes, a young woman in Tudor England who falls pregnant out of wedlock and is sent to an abbey, where she finds some real satisfaction in her place as a nun. But the religious turmoil of Henry VIII's England is not a good time to be of a religious house, and so as the abbey is closed down, she needs to find a new place for herself. Agnes is a great character and I found her story very compelling indeed. 
  • Life After Life: I wish I'd read this without the hype that set sky-high expectations for me. It's an imaginative, entertaining book that takes the unusual tack of presenting a female character for whom familial rather than romantic bonds are paramount, which was refreshing. As Ursula Todd's life begins over and over again after she dies in a variety of ways, she's always deeply connected to her older sister Pamela and younger brother Teddy, and Atkinson skillfully explores the bombing campaigns of World War 2 from many perspectives and with a poignant humanity. It's a very good book, but I was expecting a great one and for me, it wasn't quite there. 
  • Oryx and Crake: I love Margaret Atwood, and am generally interested in post-apocalyptic stories, so this was a natural fit for me. Though there are some things that make it really obvious this book was written over 15 years ago now (the emphasis on email and disc-based storage feel anachronistic), for the most part it feels frighteningly prescient. I wish the main female character had been better-developed, and I'm always annoyed at a book that ends in a clear cliffhanger for the next in the series, so it didn't blow me away but I very much liked it and intend to continue the series! 


In Life...

  • Tried not to melt and/or die of smoke inhalation: It was hot, and it was smoky. The wildfires that raged in California sent their smoke right on over into northern Nevada, where it settled in the valleys and choked us all for weeks. Add in those long 90+ degree days and it was miserable. It's been a smidge cooler lately thank goodness.
  • Veterinary drama: The gratuitous pug I like to show you every month has been a frequent flier at the vet lately! We started out with a significant number of tooth extractions, and no sooner was he on the mend from those than he gave himself a hot spot on his face from scratching and had to get dragged back to get antibiotic ointment and a week in the cone of shame. He's totally fine now, but here's hoping we can skip the vet's office for the rest of the year.

One Thing:

One of my guilty pleasures (honestly I don't feel that guilty about it) is reading about royal families, particularly the British one. What can I say? I'm basic. I'd heard about a failed attempt to kidnap Princess Anne in the 70s, but didn't know that much about it until I read this truly delightful short piece from Oh No They Didn't. Some of the dialogue is profoundly hilariously English and Anne is a BOSS.

Gratuitous Pug Picture:


Tuesday, May 2, 2017

Top Ten Tuesday: Books I Haven't Read Yet, But Want To Because Of Their Covers

Top Ten Tuesday is a weekly linkup of book bloggers hosted by The Broke and The BookishSince I talked about my favorite covers of books I've read fairly recently, I decided to take a slightly different tack and look at books on my TBR with especially intriguing cover art! So here are ten of my favorite book covers from my upcoming reads.



The Sense of an Ending: There's something very evocative about the image of dandelion seeds blowing.

In the Woods: I've heard this is actually the weakest of Tana French's Dublin Murder Squad series, but the cover art creates a foreboding, spooky mood on sight.

Stiff: This I just find delightfully clever, using the toe tag as a place for the title of the book

Boy, Snow, Bird: That image of the snake winding among greenery is a subtle biblical allusion and is eye-catching besides.

Life After Life: The simple image of a double sided rose is striking and intriguing.

The Luminaries: I love the way this cover moves through the phases of the moon.

The Goldfinch: The little 3D-esque effect, with the painting being "revealed", is neat and I'm super excited about getting around to reading this after all the praise.

Wild: The dirty, crusty, broken boot speaks to the central hiking/breakdown and self-discovery narrative of this memoir.

The Vacationers: The vivid aqua of this cover is unusual and it creates a sense of intrigue about what will happen to those floating people.

Dear Thief: The broken face of the bust, combined with the title, immediately makes me ask a bunch of questions, which makes me want to read the book.